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Read through the most famous quotes by topic #ross
The radical hermeneutic of suspicion that characterizes all of post-modernity is essentially nihilistic, denying the very possibility of creative or healing love. In the cross and resurrection of Jesus we find the answer: the God who made the world is revealed in terms of a self-giving love that no hermeneutic of suspicion can ever touch, in a Self that found itself by giving itself away, in a Story that was never manipulative but always healing and recreating, and in a Reality that can truly be known, indeed to know which is to discover a new dimension of knowledge, the dimension of loving and being loved. ↗
Temple of the Rat King. Ark of the Soot God. Sphincter of Hades. Yes, King's Cross Station, where, according to Knuckle Sandwich, a blow job costs only five quid - any of the furthest-left three cubicles in the men's lavvy downstairs, twenty-four hours a day. ↗
#london #prostitution #trains #men
What's with the disco lights?" Michael said, rolling down the window between the driver's compartment and the back. Eve turned around, and her face brightened. "You like it? I thought it looked really cool. I saw it in a movie, you know, in a limo." "It's cool," Michael said, and smiled at her. She smiled back. "Can't wait to lie here and watch it with you." Claire said, "You don't have to wait; it's working now. Look--Oh. Never mind." She blushed, feeling stupid that she hadn't gotten that one in the first second. Eve winked at her. ↗
For all his claims to be just a propagandist, [Bernard Shaw's] writing has an effect nearer to that of music than most of those who have claimed to be writing "dramas of feeling." His plays are a joy to watch, not because they purport to deal with social and political problems, but because they are such wonderful displays of conspicuous waste; the conversational energy displayed by his characters is so far in excess of what their situation requires that, if it were to be devoted to practical action, it would wreck the world in five minutes. The Mozart of English letters he is not – the music of the Marble Statue is beyond him – the Rossini, yes. He has all the brio, humor, cruel clarity and virtuosity of that master of opera buffa. ↗
