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The mornings came hard, and our caddie master, Dick Millweed, had a temper that could make a hangover seem like a seismic fracture. He was a small man with a soft, friendly voice. He was not intimidating at all, until he lost it. In his defense, he took shit from all sides - from the members who wanted their favorite caddie and their preferred tee time, from the golf staff who wanted him to perform a million menial duties, and from us when we showed up bleary eyed and incoherent and sometimes didn't show up at all. And God forbid a caddie should stumble in late, because then Millweed's lips would begin to tremble and his blue eyes would explode from his head. They grew as large as saucers and shook as though his skull was suffering earthquake. And he appeared to grow with them. It was like some shaman or yogi trick. Pound for pound, I've never met anyone else who could so effectively deliver anger. He would yell, "You like fucking with me, don't you? You like making me look bad! You wake up and say, 'Today I'm gonna fuck with Millweed!' and it makes you happy, doesn't it?" And we had no choice but to stand there and take it - hang our heads and blubber apologies and promise never to be hung over again, never to show up late again, because he held the ultimate trump card _ he could fire us and cut us off from the golden tit. But once we were out on the course walking it off, the hanover and any cares associated with it (including Millweed) evaporated into the light mountain air. And after the round, with our pockets replenished and our spirits restored by the carefree, self-congratulatory ebullience of the uberrich, we were powerless to resist the siren song of clinking glasses, the inviting golden light of the street lamps and tavern windows in town, and the slopeside hot tubs steaming under the stars. We all jumped ship and dined, danced, and romanced the night away and then were dashed against the rocks of Millweed's wrath all over again the next morning. ↗
Resentment is like a drug. Once you pick it up, it will only get worse and worse until you surrender and do the work to let it go. ↗
#addiction-recovery #anger #emotions #inspirational #recovery
You are so lucky I'm too tired to murder you right now. ↗
#bite-club #eve-rosser #morganville-vampires #rachel-caine #anger
I like your anger,' the Hag said mildly. 'I like your resistance. It makes you less than courteous, but altogether more interesting. ↗
It should make you shake and sweat, nightmare you, strand you in the desert of irrevocable desolation, the consequences seared into the vein, no matter what adrenaline feeds the muscle its courage, no matter what god shines down on you, no matter what crackling pain and anger you carry in your fists, my friend, it should break your heart to kill. ↗
I love going out of my way, beyond what I know, and finding my way back a few extra miles, by another trail, with a compass that argues with the map…nights alone in motels in remote western towns where I know no one and no one I know knows where I am, nights with strange paintings and floral spreads and cable television that furnish a reprieve from my own biography, when in Benjamin’s terms, I have lost myself though I know where I am. Moments when I say to myself as feet or car clear a crest or round a bend, I have never seen this place before. Times when some architectural detail on vista that has escaped me these many years says to me that I never did know where I was, even when I was home. ↗
But I don’t understand. Why do you want me to think that this is great architecture? He pointed to the picture of the Parthenon. That, said the Dean, is the Parthenon. - So it is. - I haven’t the time to waste on silly questions. - All right, then. - Roark got up, he took a long ruler from the desk, he walked to the picture. - Shall I tell you what’s rotten about it? - It’s the Parthenon! - said the Dean. - Yes, God damn it, the Parthenon! The ruler struck the glass over the picture. - Look,- said Roark. - The famous flutings on the famous columns – what are they there for? To hide the joints in wood – when columns were made of wood, only these aren’t, they’re marble. The triglyphs, what are they? Wood. Wooden beams, the way they had to be laid when people began to build wooden shacks. Your Greeks took marble and they made copies of their wooden structures out of it, because others had done it that way. Then your masters of the Renaissance came along and made copies in plaster of copies in marble of copies in wood. Now here we are, making copies in steel and concrete of copies in plaster of copies in marble of copies in wood. Why? ↗
