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I phoned Joe Roth, who was head of the studio at the time, and told him how beautiful the film was, and that I was fully ready to support it, that Michael's work was wonderful and I imagined that Daniel would feel the same. He listened quietly and read between the lines. ↗
What's wonderful is to read the different translations - some done in 1600 and some in 1900 - of the same passage. It's fascinating to watch the same tale repeated in such a different way by two different centuries. ↗
