#shakes

That happens a lot with Shakespeare. The women go after what they want; the men wind up suckered into things. ↗

— Gayle Forman

#men #poet #relationships #rules #shakespeare-in-love

When we are born, we cry that we are come to this great stage of fools. ↗

— William Shakespeare

#fools #newborn #stage #shakespeare

To be honest, as this world goes, is to be one man picked out of ten thousand. ↗

— William Shakespeare

#shakespeare

Coleridge’s description of Iago’s actions as "motiveless malignancy" applies in some degree to all the Shakespearian villains. The adjective motiveless means, firstly, that the tangible gains, if any, are clearly not the principal motive, and, secondly, that the motive is not the desire for personal revenge upon another for a personal injury. Iago himself proffers two reasons for wishing to injure Othello and Cassio. He tells Roderigo that, in appointing Cassio to be his lieutenant, Othello has treated him unjustly, in which conversation he talks like the conventional Elizabethan malcontent. In his soliloquies with himself, he refers to his suspicion that both Othello and Cassio have made him a cuckold, and here he talks like the conventional jealous husband who desires revenge. But there are, I believe, insuperable objections to taking these reasons, as some critics have done, at their face value. ↗

— W.H. Auden

#shakespeare #villains #motivational

How sweet the moonlight sleeps upon this bank! Here will we sit and let the sounds of music Creep in our ears: soft stillness and the night Become the touches of sweet harmony. Sit, Jessica. Look how the floor of heaven Is thick inlaid with patines of bright gold: There's not the smallest orb which thou behold'st But in his motion like an angel sings, Still quiring to the young-eyed cherubins; Such harmony is in immortal souls; But whilst this muddy vesture of decay Doth grossly close it in, we cannot hear it." - Lorenzo, Acte V, Scene 1 ↗

— William Shakespeare

#moonlight #the-merchant-of-venice #william-shakespeare #music

Shakespeare, in some sense, helped create the modern man, didn't he, his influence is that pervasive. He held the mirror up to nature, but he also created that mirror: so the image he created is the very one we hold ourselves up to. ↗

— Jess Winfield

#modern-man #nature #pervasive-influence-of-the-bard #shakespeare #nature

I think he'll be to Rome as is the osprey to the fish, who takes it by sovereignty of nature. ↗

— William Shakespeare

#nature

We've all heard that a million monkeys banging on a million typewriters will eventually reproduce the entire works of Shakespeare. Now, thanks to the Internet, we know this is not true. ↗

— Robert Wilensky

#internet #monkeys #shakespeare #internet

PORTIA So doth the greater glory dim the less: A substitute shines brightly as a king Unto the king be by, and then his state Empties itself, as doth an inland brook Into the main of waters. Music! hark! NERISSA It is your music, madam, of the house. PORTIA Nothing is good, I see, without respect: Methinks it sounds much sweeter than by day. NERISSA Silence bestows that virtue on it, madam. PORTIA The crow doth sing as sweetly as the lark, When neither is attended, and I think The nightingale, if she should sing by day, When every goose is cackling, would be thought No better a musician than the wren. How many things by season season'd are To their right praise and true perfection! Peace, ho! the moon sleeps with Endymion And would not be awaked. - Acte V, Scene 1 ↗

— William Shakespeare

#william-shakespeare #music

She moves me not, or not removes at least affection's edge in me. ↗

— William Shakespeare

#shakespeare #taming-of-the-shrew #unmoved #romantic