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4. Radicalism of forms. If a new model once created meets with much success on account of its greater efficiency than its predecessor, it lends certain neighbouring forms a formal radicalism, which attempts to borrow from the appearance of the new form: for example, bronze tools that had reached the furthest development of their utility had a disastrous influence on stone tools, warping them toward an elegance that could only be attained in bronze. Today aviation has imposed its aerodynamic forms even on baby strollers and irons. This radicalism of forms is a result of the fact that people become bored when they do not find some unexpected element in the familiar. This radicalism might seem illogical, as the advocates of standardization believe, but we must not forget that discovery is only made possible by this need of humanity. ↗
Will highly comprehensible code, by virtue of being easy to modify, inevitably be supplanted by increasingly less elegant code until some equilibrium is achieved between comprehensibility and fragility? Perhaps simple on the outside/fragile on the inside can be an effective survival strategy for evolving artifacts. ↗
I have never learned to read or write music so I am not a virtuoso musician like the others you mentioned. I am completely unable to play like them because I never learned classical music, I just developed my own crazy style! ↗
My Mom is a ballet director, so I had this idea in me that classical training is the best foundation for anything you do, so I wanted to get a classical background and voice. ↗
