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But that's always a certain way to recognise a facist: when he's more powerful he kills everything that's different from him, he uses only brute force while law breaks like glass under his boots. And then, when he loses and when he's weak, he invokes the law and tolerance of differences. All of a sudden, he knows by heart every single human rights convention he broke so many times before. ↗
The educated man pictures a horde of submen, wanting only a day's liberty to loot his house, burn his books, and set him to work minding a machine or sweeping out a lavatory. 'Anything,' he thinks, 'any injustice, sooner than let that mob loose.' He does not see that since there is no difference between the mass of rich and poor, there is no question of setting the mob loose. The mob is in fact loose now, and--in the shape of rich men--is using its power to set up enormous treadmills of boredom, such as 'smart' hotels. ↗
Nature is typified by strength; humanity by weakness. Nature adheres to an immutable order; humanity to an ever-increasing chaos. Nature recognizes no equality at any level of it's order; humanity preaches an all-prevasive equality and freely hands-out unearned "rights" in an attempt to make its doctrine a living reality. In short: humanity is Democratic, nature is Fascist. ↗
#democracy #fascism #law #natural-law #nature
At the end of the day I have many answers for it. It has to do with my mom, who was an extraordinary woman, and a great feminist. It has to do with the people in my life. It has to do with a lot of different things, but -- I don't know! Because I'm not just writing from the female characters for other people. I have a desire to see them in our culture -- that was not met for most of my childhood. Except occasionally by James Cameron. [From the 2011 San Diego Comic Con, in response to being asked why he writes strong female characters.] ↗
#female-characters #feminism #humanism #humanist #joss-whedon
On the morning appointed for her departure Tess awoke before dawn — at the marginal minute of the dark when the grove is still mute save for one prophetic bird, who sings with a clear-voiced conviction that he at least knows the correct time of day, the rest preserving silence, as if equally convinced that he is mistaken. ↗
In a capitalist society there are always inequalities of class and wealth. People who inherit money and property will always see themselves as being superior to those who have to work for it. ↗
All social inequalities which have ceased to be considered expedient, assume the character not of simple inexpediency, but of injustice, and appear so tyrannical, that people are apt to wonder how they ever could have been tolerated; forgetful that they themselves perhaps tolerate other inequalities under an equally mistaken notion of expediency, the correction of which would make that which they approve seem quite as monstrous as what they have at last learnt to condemn. The entire history of social improvement has been a series of transitions, by which one custom or institution after another, from being a supposed primary necessity of social existence, has passed into the rank of a universally stigmatised injustice and tyranny. So it has been with the distinctions of slaves and freemen, nobles and serfs, patricians and plebeians; and so it will be, and in part already is, with the aristocracies of colour, race, and sex. ↗
It doesn't matter whether a sequence of words is called a history or a story: that is, whether it is intended to follow a sequence of actual events or not. As far as its verbal shape is concerned, it will be equally mythical in either case. But we notice that any emphasis on shape or structure or pattern or form always throws a verbal narrative in the direction we call mythical rather than historical.(p.21) ↗
