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My skin still crawls if you call me a movie star. I get embarrassed. I think, don't be ridiculous. Maybe it's because I'm British. To me, Julia Roberts that's a movie star. But when people do call me one, that, I think, is an enormous compliment but, my God, is that a responsibility! ↗
I knew that to really minister to Rwanda's needs meant working toward reconciliation in the prisons, in the churches, and in the cities and villages throughout the country. It meant feeding the hungry, sheltering the homeless, caring for the young, but it also meant healing the wounded and forgiving the unforgivable. I knew I had to be committed to preaching a transforming message to the people of Rwanda. Jesus did not die for people to be religious. He died so that we might believe in Him and be transformed. I'm engaged in a purpose and strategy that Jesus came to Earth for. My life is set for that divine purpose in Jesus Christ. I was called to that--proclaiming the message of transformation through Jesus Christ. ↗
To be incapable of taking one's enemies, one's accidents, even one's misdeeds seriously for very long—that is the sign of strong, full natures in whom there is an excess of the power to form, to mold, to recuperate and to forget (a good example of this in modem times is Mirabeau, who had no memory for insults and vile actions done him and was unable to forgive simply because he—forgot). Such a man shakes off with a single shrug many vermin that eat deep into others; here alone genuine 'love of one's enemies' is possible—supposing it to be possible at all on earth. How much reverence has a noble man for his enemies!—and such reverence is a bridge to love.—For he desires his enemy for himself, as his mark of distinction; he can endure no other enemy than one in whom there is nothing to despise and very much to honor! In contrast to this, picture 'the enemy' as the man of ressentiment conceives him—and here precisely is his deed, his creation: he has conceived 'the evil enemy,' 'the Evil One,' and this in fact is his basic concept, from which he then evolves, as an afterthought and pendant, a 'good one'—himself! ↗
If you are handed something, it's a blessing and a curse. Look at hip hop artists, they produced everything themselves. Even people like Robert De Niro are getting into production. Again, it's art vs. marketing. Not everyone can take the risk. You have to break a few eggs to make a good omelet. ↗
But then again, that's what the Book of Job was about to her, a cautionary tale about wanting there to be a God, wanting there to be someone who could enact what a God could enact, or who could sanction what the Devil would do. You want this, people? You want these kinds of powers? No, you don't, and here's why, and here's why it's sheer vanity to want them in any other entity. Look what sort of violence would rain down. Poor Job, sure, poor Job with his hives and his financial losses — though who needs three thousand camels? — and too bad about the kids, forgive me, they were delicious, so sweet and so cold, sure, too bad, but it's God who's the miserable bastard here. Look what he got himself up to! No good could come of that type of power; that's what the writer of the Book of Job was saying, and she knew the writer was right. ↗
#god #power #forgiveness
What was true of an ancient community of Christian believers struggling with a powerful and appealing philosophy is also true for Christians in a postmodern context. Arguments that deconstruct the regimes of truth at work in the late modern culture of global capitalism are indispensable. So also is a deeper understanding of the counterideological force of the biblical tradition. But such arguments are no guarantee that the biblical metanarrative will not be co-opted for ideological purposes of violent exclusion, nor do arguments prove the truth of the gospel. Only the nonideological, embracing, forgiving and shalom-filled life of a dynamic Christian community formed by the story of Jesus will prove the gospel to be true and render the idolatrous alternatives fundamentally implausible. ↗
In the voyeurism of Reality TV, the viewer's passivity is kept intact, pampered and massaged and force-fed Chicken McNuggets of carefully edited snippets that permit him or her to sit in easy judgment and feel superior at watching familiar strangers make fools of themselves. Reality TV looks in only one direction: down. ↗
