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There is no earthly reason why a solo string instrument or voice, having the possibility to play or sing pure intonation, should want, or try, to be tempered. ↗
Maybe its a case of one guitar feeling a certain way to the hands that makes one subsequently move differently over the strings, but my intent is always to wring the maximum emotional resonance out of the object in hand. ↗
As you say, the way string theory requires all these extra dimensions and this comes from certain consistency requirements about how string should behave and so on. ↗