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Most of the harm in the world is done by good people, and not by accident, lapse, or omission. It is the result of their deliberate actions, long persevered in, which they hold to be motivated by high ideals toward virtuous ends. ↗
One of the greatest advantages of the totalitarian elites of the twenties and thirties was to turn any statement of fact into a question of motive. ↗
Worrying about clothes, though, is easy to understand. When it comes to clothes, people are very competitive, especially if they're movie stars. I think every smart woman devises a look for herself. Margaret Sullivan had a look: romantic, young, pretty, smart. Katharine Hepburn made a look for herself as this wonderful old salty character. Marilyn Monroe had a look; it was like, "Fuck me with sadness"... ↗
I play until my fingers are blue and stiff from the cold, and then I keep on playing. Until I'm lost in the music. Until I am the music--notes and chords, the melody and harmony. It hurts, but it's okay because when I'm the music, I'm not me. Not sad. Not afraid. Not desperate. Not guilty. ↗
I own a crevice stuffed with moss and a couch of lemming fur; I sit and listen to the music of water dripping on a distant stone. Or I sing to myself of stealth and loneliness No one comes to see me but I hear outside the scratching of claws, the warm, inquisitive breath … (from 'The Hermitage') ↗
Two people, two hands, and two songs, in this case "Big Shot" and "Bette Davis Eyes." The lyrics of the two songs provided no commentary, honest or ironic, on the proceedings. They were merely there and always underfoot, the insistent gray muck that was pop culture. It stuck to our shoes and we tracked it through our lives. ↗
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