No subscription or hidden extras
Read through the most famous quotes by topic #to
I have never experienced writers block and I've written every day since June 1972. But I have experienced the need to get up and walk around, eat ice cream, let ideas percolate, forget the story for a time, and then return to the page. Even the muse needs a vacation to rest up before she gives more of herself. ↗
She meant you have to live a story for a time.' 'And?' 'And then you can write it, in time. What have you lived?' 'Kind of a personal question for Twitterland.' 'Kind of the perfect question to answer in fiction. ↗
#novel-writing #writers #writers-block #writing #writers-block
Ask him about the cemeteries, Dean!" In 1966 upon being told that President Charles DeGaulle had taken France out of NATO and that all U.S. troops must be evacuated off of French soil President Lyndon Johnson mentioned to Secretary of State Dean Rusk that he should ask DeGaulle about the Americans buried in France. Dean implied in his answer that that DeGaulle should not really be asked that in the meeting at which point President Johnson then told Secretary of State Dean Rusk: "Ask him about the cemeteries Dean!" That made it into a Presidential Order so he had to ask President DeGaulle. So at end of the meeting Dean did ask DeGaulle if his order to remove all U.S. troops from French soil also included the 60,000+ soldiers buried in France from World War I and World War II. DeGaulle, embarrassed, got up and left and never answered. ↗
#france #nato #politicians #united-states-of-america #world-war-ii
Even if it were possible to cast my horoscope in this one life, and to make an accurate prediction about my future, it would not be possible to 'show' it to me because as soon as I saw it my future would change by definition. This is why Werner Heisenberg's adaptation of the Hays Office—the so-called principle of uncertainty whereby the act of measuring something has the effect of altering the measurement—is of such importance. In my case the difference is often made by publicity. For example, and to boast of one of my few virtues, I used to derive pleasure from giving my time to bright young people who showed promise as writers and who asked for my help. Then some profile of me quoted someone who disclosed that I liked to do this. Then it became something widely said of me, whereupon it became almost impossible for me to go on doing it, because I started to receive far more requests than I could respond to, let alone satisfy. Perception modifies reality: when I abandoned the smoking habit of more than three decades I was given a supposedly helpful pill called Wellbutrin. But as soon as I discovered that this was the brand name for an antidepressant, I tossed the bottle away. There may be successful methods for overcoming the blues but for me they cannot include a capsule that says: 'Fool yourself into happiness, while pretending not to do so.' I should actually want my mind to be strong enough to circumvent such a trick. ↗
The more I write stories for young people, and the more young readers I meet, the more I'm struck by how much kids long to see themselves in stories. To see their identities and perspectives—their avatars—on the page. Not as issues to be addressed or as icons for social commentary, but simply as people who get to do cool things in amazing worlds. Yes, all the “issue” books are great and have a place in literature, but it's a different and wildly joyous gift to find yourself on the pages of an entertainment, experiencing the thrills and chills of a world more adventurous than our own. And when you see that as a writer, you quickly realize that you don't want to be the jerk who says to a young reader, “Sorry, kid. You don't get to exist in story; you're too different.” You don't want to be part of our present dystopia that tells kids that if they just stopped being who they are they could have a story written about them, too. That's the role of the bad guy in the dystopian stories, right? Given a choice, I'd rather be the storyteller who says every kid can have a chance to star. - posted at Kirkus Review in post "Straight-Laced Dystopias ↗
The battle of Iwo Jima would quickly turn into a primitive contest of gladiators: Japanese gladiators fighting from caves and tunnels like the catacombs of the Colosseum, and American gladiators aboveground, exposed on all sides, using liquid gasoline to burn their opponents out of their lethal hiding places. All of this on an island five and a half miles long and two miles wide. An area smaller than Doc Bradley's hometown of Antigo, but bearing ten times the humanity. A car driving sixty miles an hour could cover its length in five and a half minutes. For the slogging, dying Marines, it would take more than a month. ↗
In the end the war was Hitler's war. It was not perhaps the war he wanted. But it was the war he was prepared to risk if he had to. Nothing could deter him...He was no longer prepared to wait on events. He needed to force them to manipulate them to manufacture incidents to create pretexts for action. ↗
