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That day, that day when I can gaze at the sea--both of us calm--and I, trusting, having poured my whole heart into my Life Work....when death--black waves!--no longer courts me and I can smile, constantly, at everything because, my bones, there will be so little of myself left to give it. ↗
When he came back, I hid my face within my hands. He said: "Fear nothing. Who has seen our kiss? --Who saw us? The night and the moon." "And the stars and the first flush of dawn. The moon has seen its visage in the lake, and told it to the water 'neath the willows. The water told it to the rower's oar. "And the oar has told it to the boat, and the boat has passed the secret to the fisher. Alas! alas! if that were only all! But the fisher told the secret to a woman. "The fisher told the secret to a woman: my father and my mother and my sisters, and all of Hellas now shall know the tale. ↗
Blackadder was fifty-four and had come to editing Ash out of pique. He was the son and grandson of Scottish schoolmasters. His grandfather recited poetry on firelight evenings: Marmion, Childe Harold, Ragnarok. His father sent him to Downing College in Cambridge to study under F. R. Leavis. Leavis did to Blackadder what he did to serious students; he showed him the terrible, the magnificent importance and urgency of English literature and simultaneously deprived him of any confidence in his own capacity to contribute to, or change it. The young Blackadder wrote poems, imagined Dr Leavis’s comments on them, and burned them. ↗
