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To Have Without Holding: Learning to love differently is hard, love with the hands wide open, love with the doors banging on their hinges, the cupboard unlocked, the wind roaring and whimpering in the rooms rustling the sheets and snapping the blinds that thwack like rubber bands in an open palm. It hurts to love wide open stretching the muscles that feel as if they are made of wet plaster, then of blunt knives, then of sharp knives. It hurts to thwart the reflexes of grab, of clutch, to love and let go again and again. It pesters to remember the lover who is not in the bed, to hold back what is owed to the work that gutters like a candle in a cave without air, to love consciously, conscientiously, concretely, constructively. I can't do it, you say it's killing me, but you thrive, you glow on the street like a neon raspberry, You float and sail, a helium balloon bright bachelor's buttons blue and bobbing on the cold and hot winds of our breath, as we make and unmake in passionate diastole and systole the rhythm of our unbound bonding, to have and not to hold, to love with minimized malice, hunger and anger moment by moment balanced. ↗
I am not a poor child, Lady Eleanor," Madelyne announced, letting her anger sound in her voice. "Duncan won't marry you. He won't sign the contracts. He'd have to give up his greatest treasure in order to marry you." "And what be that treasure?" Lady Eleanor inquired, her voice mild. "Why, I'm Duncan's greatest treasure. He'd be a fool to give me up," she added. "And even you must know that Duncan is anything but a fool. ↗
Some of the most challenging work a suicide survivor can do is to pray. To pray fully, survivors must bring all of themselves to the prayer: their anger, disappointment, fears, insecurities, and why's. I bring all of me into an encounter with God, aware that nothing in the human experience, or the human response to the ambushes of life, is alien to God. ↗
A rap at the back door made her jump, and she peered through the window for a long time before she eased open the door a crack. She left the security chain on. "What do you want, Richard?" Richard Morrell's police cruiser was parked in the drive. He hadn't flashed any lights or howled any sirens, so she supposed it wasn't an emergency, exactly. But she knew him well enough to know he didn't pay social visits, at least not to the Glass House. "Good question," Richard said. "I guess I want a nice girl who can cook, likes action movies, and looks good in short skirts. But I'll settle for you taking the chain off the door and letting me in. ↗
In times of crisis, you get a public reaction that is incoherence on stilts. On the one hand, most people know that the government is not in the oil business. They don't want it in the oil business. They know there is nothing a man in Washington can do to plug a hole a mile down in the gulf. On the other hand, they demand that the president 'take control.' They demand that he hold press conferences, show leadership, announce that the buck stops here and do something. They want him to emote and perform the proper theatrical gestures so they can see their emotions enacted on the public stage. They want to hold him responsible for things they know he doesn't control. Their reaction is a mixture of disgust, anger, longing and need. It may not make sense. But it doesn't make sense that the country wants spending cuts and doesn't want cuts, wants change and doesn't want change. ↗
#emotion #obama #politics #vox-populi #anger
Identify your Radar – it’s your brain functioning optimally; not a vague intuition or cosmic sixth sense. Train your Radar in key areas like: evaluating people, personal safety, healthy relationships, physical and mental well-being, money and credit cards, career choice, how to get organized. Meet the Radar Jammers. They have the power to turn down or turn off our clear thinking Radars. Some are well known: alcohol and drugs, peer pressure, infatuation, sleep deprivation. Others are surprising: showing off, fake complexity, anger, unthinking religions, the need for speed, dangerous personality disorders, and even fast food! Learn reasonable approaches and specific techniques to deal with them all. ↗
#nonfiction #parenting #parenting-teens #self-help #self-improvement
Natures of your kind, with strong, delicate senses, the soul-oriented, the dreamers, poets, lovers are always superior to us creatures of the mind. You take your being from your mothers. You live fully; you were endowed with the strength of love, the ability to feel. Whereas we creatures of reason, we don't live fully; we live in an arid land, even though we often seem to guide and rule you. Yours is the plentitude of life, the sap of the fruit, the garden of passion, the beautiful landscape of art. Your home is the earth; ours is the world of ideas. You are in danger of drowning in the world of the senses; ours is the danger of suffocating in an airless void. You are an artist; I am a thinker. You sleep at your mother's breast; I wake in the desert. For me the sun shines; for you the moon and the stars. ↗
The Man of Power is one who presides— By persuasion. He uses no demeaning words or behavior, does not manipulate others, appeals to the best in everyone, and respects the dignity and agency of all humankind—men, women, boys, and girls. By long-suffering. He waits when necessary and listens to the humblest or youngest person. He is tolerant of the ideas of others and avoids quick judgments and anger. By gentleness. He uses a smile more often than a frown. He is not gruff or loud or frightening; he does not discipline in anger. By meekness. He is not puffed up, does not dominate conversations, and is willing to conform his will to the will of God. By love unfeigned. He does not pretend. He is sincere, giving honest love without reservation even when others are unlovable. By kindness. He practices courtesy and thoughtfulness in little things as well as in the more obvious things. By pure knowledge. He avoids half-truths and seeks to be empathetic. Without hypocrisy. He practices the principles he teaches. He knows he is not always right and is willing to admit his mistakes and say ‘I’m sorry.' Without guile. He is not sly or crafty in his dealings with others, but is honest and authentic when describing his feelings. ↗
He fixed her in his gaze and set his jaw, his hands twitching at his sides. "You feel something for me," he said, daring her to try and deny it. There was no point trying to hide it now. She looked away, numb. "You can't feel that way about me." He lowered his voice. "It'll only get you hurt." "Oh, come on! That's so cliche! What's that even supposed to mean?" "It means my life is one that prevents me from the luxury of silly romantic notions. I can't have you look at me the way you just did. I don't care what Agatha's told you, or what she thinks she knows. This isn't going to happen, okay?" Silly romantic notions? Farley's embarrassment quickly moved aside to make room for her anger. "Agatha hasn't told me anything. None of you ever do. You're right, I do feel something for you, but don't worry. From your reaction, it's pretty clear that the feeling's not mutual. I'm not some crazy stalker. I'd appreciate it if you wouldn't flatter yourself into thinking that I'm completely head over heels in love with you. So just go!" she screamed, destroyed by his words and the feelings of rejection that coursed through her. "You don't understand." "I think I do." "No! You don't!" The hard look in his eyes morphed into something more pained and desperate. He stepped forward and grabbed her roughly by the arms, the same way he had done in the silo. "I sat there and watched you for months. Months! I watched you everywhere you went; I watched you when you didn't go anywhere at all! When you were so low you couldn't even leave the house. I watched the most beautiful person I'd ever seen get screwed over by the cops and have her life threatened on a daily basis without her even knowing it." Farley stared up at him-frozen and unblinking-his words barraging her. "How do you think I felt when I found you bleeding and broken on the floor of Aldan's room? I thought you were dead!" He stood, his eyes on fire, with something terrible strewn across his face. His voice dropped to barely more than a whisper. "We've got a war about to be unleashed here-one that I'm going to die for. One where you and I are an impossibility. So I don't get to tell you that I love you. And you don't get to look at me like that. ↗
