When I go to where I was getting excellent parts in movies I may have taken a few too soon, too anxious to go back to work and to anxious to make another film and to succeed more. ↗
With Frat House, at times I needed to make music that would reflect what these fraternity brothers might actually listen to, but still keep it within the realm of a score; it still had to lead the viewer through the scene, or just help create the mood. ↗
I think anyone about to leave one job not surprisingly would use their knowledge, their experience, their skills drawn from their previous positions to try and earn a living in the future. That's what happens in all interviews. ↗
I've had those people very interested in my writing. Since I think of myself as a composer, I feel really good. I've had lots of guys call me up. I've gotten two or three commissions to write things. I've written lots of movie scores. ↗
All of my books have the potential to become movies, it's just a question of finding a studio who wants to get behind me and put up the money to make the movie. ↗
Feelings are universal, and if an actor's doing his job, I think he's making people sit there, and if it's in a movie or a theatre, going 'Hmm, yeah, I know that... I know that.' ↗
It's like real life: We don't get a preview of what's coming up, thank God, and we don't build our own character from what we're going to be informed with in the future. ↗
I figure you're only here for a matter of moments. Ever since I was a kid watching movies I've always wanted to make people laugh or have some sort of emotional reaction. ↗