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I was going to suggest some hard-won guidelines for responsible reviewing. For instance: First, as in Hippocrates, do no harm. Second, never stoop to score a point or bite an ankle. Third, always understand that in this symbiosis, you are the parasite. Fourth, look with an open heart and mind at every different kind of book with every change of emotional weather because we are reading for our lives and that could be love gone out the window or a horseman on the roof. Fifth, use theory only as a periscope or a trampoline, never a panopticon, a crib sheet or a license to kill. Sixth, let a hundred Harolds Bloom. ↗
I am Orafoura, but you can call me Jarod Kintz. I’m fairly proud to proclaim that Dora J. Arod has me on her short list of “World’s worst writers.” The list couldn’t get any shorter, because I’m the only name on it. I should tell her to stop calling it a list, and change the title to “World’s worst writer.” If you’re wondering why I rate all my work one star, it’s because the rating system doesn’t have a zero star option, or better yet, go into negative numbers. ↗
Catch-22 has much passion, comic and fervent, but it gasps for want of craft and sensibility… Its author, Joseph Heller, is like a brilliant painter who decides to throw all the ideas in his sketchbooks onto one canvas, relying on their charm and shock to compensate for the lack of design… The book is an emotional hodgepodge; no mood is sustained long enough to register for more than a chapter. ↗
General fiction is pretty much about ways that people get into problems and screw their lives up. Science fiction is about everything else. ↗
He doesn't know what the world is like today." The thought that his own conception of the world was so different from his father's was like a protecting wall around his entire being. When his father went out into the street he had only the mosque, the Koran, the other old men in his mind. It was the immutable world of law, the written word, unchanging beneficence, but it was in some way wrinkled and dried up. Whereas when Amar stepped out the door there was the whole vast earth waiting, the live mysterious earth, that belonged to him in a way it could belong to no one else, and where anything at all might happen. ↗
#men
At a conservative estimate, one million dollars will be spent by American readers for this book [For Whom the Bell Tolls]. They will get for their money 34 pages of permanent value. These 34 pages tell of a massacre happening in a little Spanish town in the early days of the Civil War...Mr. Hemingway: please publish the massacre scene separately, and then forget For Whom the Bell Tolls; please leave stories of the Spanish Civil War to Malraux... ↗
I remember once I asked Wayne for the time," Miller told Mercer. "He started talking to me about the cosmos and how time is relative." Miller and [Wayne] Shorter were waiting somewhere -- an airport, a train station, a hotel. The band's keyboardist, Joe Zawinul, who took charge of such matters as what the road crew was supposed to do and when, set Miller straight. "You don't ask Wayne shit like that," he snapped. "It's 7:06 p.m." [p.1] ↗
