#w

I never use a score when conducting my orchestra. Does a lion tamer enter a cage with a book on how to tame a lion? ↗

— Dimitri Mitropoulos

#cage #conducting #does #enter #how

From the beginning I thought about working with the body in movement, the space between the body and clothes. I wanted the clothes to move when people moved. The clothes are also for people to dance or laugh. ↗

— Issey Miyake

#also #beginning #between #body #clothes

Many people will say, well, clothes should be worn; but I think people can look at them in public, like seeing a film. I think museum exhibitions are very important. ↗

— Issey Miyake

#exhibitions #film #i #i think #important

Of course there are many ways we can reuse something. We can dye it. We can cut it. We can change the buttons. Those are other ways to make it alive. But this is a new step to use anything - hats, socks, shirts. It's the first step in the process. ↗

— Issey Miyake

#anything #buttons #change #course #cut

One of my assistants found this old German machine. It was originally used to make underwear. Like Chanel, who started with underwear fabric - jerseys - we used the machine that made underwear to make something else. ↗

— Issey Miyake

#chanel #else #fabric #found #german

Well, what I'm doing is really clothing. I'm not doing sculpture. ↗

— Issey Miyake

#doing #i #really #sculpture #well

I always try and come up with a clear theme when I'm making a videogame. ↗

— Shigeru Miyamoto

#clear #come #i #i always #making

I wanted to make something very unique, something very different. ↗

— Shigeru Miyamoto

#i #make #something #unique #very

I have worked with several dance companies. ↗

— Issey Miyake

#dance #i #several #worked

You see it in the many bouncing clothes that are not just pleats. To make them, two or three people twist them - twist, twist, twist the pleats, sometimes three or four persons twist together and put it all in the machine to cook it. ↗

— Issey Miyake

#clothes #cook #four #just #machine