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Bodily agitation, then, is an enemy to the spirit. And by agitation I do not necessarily mean exercise or movement. There is all the difference in the world between agitation and work. Work occupies the body and the mind and is necessary for the health of the spirit. Work can help us to pray and be recollected if we work properly. Agitation, however, destroys the spiritual usefulness of work and even tends to frustrate its physical and social purpose. Agitation is the useless and ill-directed action of the body. It expresses the inner confusion of a soul without peace. Work brings peace to the soul that has a semblance of order and spiritual understanding. It helps the soul to focus upon its spiritual aims and to achieve them. But the whole reason for agitation is to hide the soul from itself, to camouflage its interior conflicts and their purposelessness, and to induce a false feeling that 'we are getting somewhere'. ↗
On writing, my advice is the same to all. If you want to be a writer, write. Write and write and write. If you stop, start again. Save everything that you write. If you feel blocked, write through it until you feel your creative juices flowing again. Write. Writing is what makes a writer, nothing more and nothing less. --- Ignore critics. Critics are a dime a dozen. Anybody can be a critic. Writers are priceless. ---- Go where the pleasure is in your writing. Go where the pain is. Write the book you would like to read. Write the book you have been trying to find but have not found. But write. And remember, there are no rules for our profession. Ignore rules. Ignore what I say here if it doesn't help you. Do it your own way. --- Every writer knows fear and discouragement. Just write. --- The world is crying for new writing. It is crying for fresh and original voices and new characters and new stories. If you won't write the classics of tomorrow, well, we will not have any. Good luck. ↗
PERCAKAPAN DUA RANTING kalau pernah kamu bertemu dulu, apa yang kau inginkan nanti? sepi. kalau nanti kau dapatkan cinta, bagaimana kau tempatkan waktu? sendiri. bila hari tak lagi berani munculkan diri, dan kau tinggal untuk menanti? cari. andai bumi sembunyi saat kau berlari? mimpi. lalu malam menyer- gapmu dalam pandang tiada tepi? hati. baik...aku tak lagi memberimu mungkin? kecuali. baik..baik, aku hanya akan menya- pamu tanpa kecuali? mungkin. dan jika tetap seperti itu, embun takkan jatuh dari kalbumu? sampai. akankah kau patahkan tubuhmu hingga musim tiada berganti? mari. lalu kau tumbuhkan bunga tanpa kelopak tanpa daun berhelai-helai? kemari. juga kau benamkan yang lain dalam jurang di matamu? aku. katakan bahwa kau mene- rimamu seperti aku memberimu?... kau? ya. kau?...aku. Besancon, oktober sebelas 1997. ↗
To illustrate how an individual can attain the goal of being submerged in physical reality while transforming it into holiness, we can use an analogy of a man who finds himself in a cold room. There are three ways that individual can maintain his body temperature: first, he can put on a warm coat; second, he can leave the room to go to a warmer environment; or third, he can light a fire. Similarly, if this individual finds himself in a "cold" environment, one which is detrimental to him, he can preserve his integrity through these three methods. First, he can put on a warm coat, which symbolizes strengthening himself inwardly so as not to be influenced by his surroundings. This however, is an incomplete victory, for if he were to relax his self-control he would capitulate. Second, he can leave the room, which implies separating himself from the negative influences surrounding him. Once again, this victory is only through removing himself from temptation and is, therefore, not permanent. He has not met the challenge by improving his surroundings. The third approach, lighting a fire, involves influencing the environment and raising it to a higher level. This is a complete triumph over one's surroundings for the dangers have not only been avoided, they have been entirely removed. ↗
Maybe I can do some writing then. The phrase made him sick. It had no meaning anymore. Like a word that is repeated until it becomes gibberish that sentence, for him, had been used to extinction. It sounded silly; like some bit of cliché from a soap opera. Hero saying in dramatic tones – Now, by God, maybe I can do some writing. Senseless. For a moment, though, he wondered if it was true. Now that she was leaving could he forget about her and really get some work done? Quit his job? Go somewhere and hold up in a cheap furnished room and write? You have $123.89 in the bank, his mind informed him. He pretended it was the only thing that kept him from it. But, far back in his mind, he wondered if he could write anything. Often the question threw itself at him when he was least expecting it. You have four hours every morning, the statement would rise like a menacing wraith. You have time to write many thousands of words. Why don't you? And the answer was always lost in a tangle of becauses and wells and endless reasons that he clung to like a drowning man at straws.(“Mad House”) ↗
