No subscription or hidden extras
Read through the most famous quotes by topic #william
Whether it's people walking off 'The View' when Bill O'Reilly makes a statement about radical Islam or Juan Williams being fired for expressing his opinion, over-reaching political correctness is chipping away at the fundamental American freedoms of speech and expression. ↗
When he died, Emerson was thought of as the representative American writer par excellence, and his point of view was still so potent that William James was honored to be asked to speak at a centenary celebration. ↗
The Praying Mantis Visits A Penthouse The praying Mantis with its length of straw Out of nowhere's forehead born full armed Engaged the century at my terrace door. Focused at inches the dinosaur insect sends Broadsides of epic stillness at my eye, Above the deafening projects of the age. My love, who fears the thunder of its poise, Has seen it and cries out. The clouds like curls Fall in my faith as I seize a stick to stop This Martian raid distilled to a straw with legs, To wisps of prowess. Bristling with motionlessness The Mantis prays to the Stick twice armed with Man. I strike, the stick whistles, shearing off two legs Which run off by themselves beneath some boards. The Mantis spreads out tints of batlike wing, The many colored pennants of its blood, And hugs my weapon; the frantic greens come out, the reds and yellows blurt out from the straw, All sinews doubtless screaming insect death. Against the railing's edge I knock the stick Sending that gay mad body into the gulf. Such noisy trappings in defeat wake doubts. I search my mind for possible wounds and feel The victim's body heavy on the victor's heart. ↗
(about William Blake) As for Blake's happiness--a man who knew him said: "If asked whether I ever knew among the intellectual, a happy man, Blake would be the only one who would immediately occur to me." And yet this creative power in Blake did not come from ambition. ...He burned most of his own work. Because he said, "I should be sorry if I had any earthly fame, for whatever natural glory a man has is so much detracted from his spiritual glory. I wish to do nothing for profit. I wish to live for art. I want nothing whatever. I am quite happy." ...He did not mind death in the least. He said that to him it was just like going into another room. On the day of his death he composed songs to his Maker and sang them for his wife to hear. Just before he died his countenance became fair, his eyes brightened and he burst into singing of the things he saw in heaven. ↗
Imperial is like Robert Caro’s The Power Broker with the attitude of Mike Davis’s City of Quartz, if Robert Caro had been raised in an abandoned grain silo by a band of feral raccoons, and if Mike Davis were the communications director of a heavily armed libertarian survivalist cult, and if the two of them had somehow managed to stitch John McPhee’s cortex onto the brain of a Gila monster, which they then sent to the Mexican border to conduct ten years of immersive research, and also if they wrote the entire manuscript on dried banana leaves with a toucan beak dipped in hobo blood, and then the book was line-edited during a 36-hour peyote séance by the ghosts of John Steinbeck, Jack London, and Sinclair Lewis, with 200 pages of endnotes faxed over by Henry David Thoreau’s great-great-great-great grandson from a concrete bunker under a toxic pond behind a maquiladora, and if at the last minute Herman Melville threw up all over the manuscript, rendering it illegible, so it had to be re-created from memory by a community-theater actor doing his best impression of Jack Kerouac. With photographs by Dorothea Lange. (Viking has my full blessing to use that as a blurb.) ↗
Suffice it to say I was compelled to create this group in order to find everyone who is, let's say, borrowing liberally from my INESTIMABLE FOLIO OF CANONICAL MASTERPIECES (sorry, I just do that sometimes), and get you all together. It's the least I could do. I mean, seriously. Those soliloquies in Moby-Dick? Sooo Hamlet and/or Othello, with maybe a little Shylock thrown in. Everyone from Pip in Great Expectations to freakin' Mr. Rochester in Jane Eyre mentions my plays, sometimes completely mangling my words in nineteenth-century middle-American dialect for humorous effect (thank you, Sir Clemens). Many people (cough Virginia Woolf cough) just quote me over and over again without attribution. I hear James Joyce even devoted a chapter of his giant novel to something called the "Hamlet theory," though do you have some sort of newfangled English? It looks like gobbledygook to me. The only people who don't seek me out are like Chaucer and Dante and those ancient Greeks. For whatever reason. And then there are the titles. The Sound and the Fury? Mine. Infinite Jest? Mine. Proust, Nabokov, Steinbeck, and Agatha Christie all have titles that are me-inspired. Brave New World? Not just the title, but half the plot has to do with my work. Even Edgar Allan Poe named a character after my Tempest's Prospero (though, not surprisingly, things didn't turn out well for him!). I'm like the star to every wandering bark, the arrow of every compass, the buzzard to every hawk and gillyflower ... oh, I don't even know what I'm talking about half the time. I just run with it, creating some of the SEMINAL TOURS DE FORCE OF THE ENGLISH LANGUAGE. You're welcome. ↗
