My songs are the reflection of how I think and how I feel in that moment. But I'm conscious of the fact that artists have a responsibility before the masses and they have to take care with their words. ↗
And now, once again, I bid my hideous progeny go forth and prosper. I have an affection for it, for it was the offspring of happy days, when death and grief were but words, which found no true echo in my heart. ↗
I never play a villain that I don't have something I can either do or say so the audience sees there is something redeemable about them. In other words, I don't want to do evil for evil's sake. I don't want to do Jason slasher movies. There's no point in that. ↗
I would recommend the short story form, which is a lot harder to write since you have to be so careful with words, until there is plenty of time to doodle through a novel. ↗
I don't begin a novel or a screenplay until I know the ending. And I don't mean only that I have to know what happens. I mean that I have to hear the actual sentences. I have to know what atmosphere the words convey. ↗
But my question is, am I compromising by adapting my words for the audience and where is the line beyond which I am not adapting words, but changing my position? ↗
