#write

If you cannot judge a book by its cover, surely we should not judge an author by one book alone? ↗

— E.A. Bucchianeri

#authors #book #book-cover #books #criticism

Our tongues can’t compete with the rapid thinking of our brains, our words come out slow and slurred. The pen is our haven. There is a lot of fear buried into that little pen. It holds all of our agony, our torment, our blood and our heaven. ↗

— Coco J. Ginger

#fear #jamie-weise #love #passion #pen

Practically everybody in New York has half a mind to write a book -and does ↗

— Groucho Marx

#writers #new-york-city

Come se nel cuore della natura di uno scrittore ci fosse la purezza. Il cielo aiuti un simile scrittore! Come se Joyce non avesse annusato oscenamente le mutande di Nora. Come se nell’anima di Dostoevskij non avesse mai bisbigliato Svidrigailov. Nel cuore della natura di uno scrittore c’è il capriccio. Curiosità, fissazioni, isolamento, veleno, feticismo, austerità, leggerezza, perplessità, infantilismo eccetera. Il naso nella cucitura di un indumento intimo: ecco la natura dello scrittore. L’impurità. ↗

— Philip Roth

#simile

She was emotionally retarded having no sense of humour, cold and no people skills. She was like her mother was obsessed by appearances and wealth and longed to get married to escape from home. ↗

— Annette J. Dunlea

#annette-j-dunlea #irish-writer #home

The journey home was made short by Ronan’s tales of research on love. He confessed to Katie he was not good at expressing his inner feelings. He adopted the Socratic Method and asked all his friends and family for advice. They proved no help so he enlisted the help of Lovely Lucy Looney, the local librarian. He went and researched love, sex and flirting. He spoke of Lucy’s shock on his many visits to the library and his mortification but Katie’s love was worth all embarrassment. She was touched by his Herculean efforts and knew he was her soul mate ↗

— Annette J. Dunlea

#annette-j-dunlea #irish-writer #family

But how?" my students ask. "How do you actually do it?" You sit down, I say. You try to sit down at approximately the same time every day. This is how you train your unconscious to kick in for you creatively. So you sit down at, say, nine every morning, or ten every night. You put a piece of paper in the typewriter, or you turn on the computer and bring up the right file, and then you stare at it for an hour or so. You begin rocking, just a little at first, and then like a huge autistic child. You look at the ceiling, and over at the clock, yawn, and stare at the paper again. Then, with your fingers poised on the keyboard, you squint at an image that is forming in your mind -- a scene, a locale, a character, whatever -- and you try to quiet your mind so you can hear what that landscape or character has to say above the other voices in your mind. ↗

— Anne Lamott

#file #focus #how-to-write #imagine #quiet

I am always chilled and astonished by the would-be writers who ask me for advice and admit, quite blithely, that they "don't have time to read." This is like a guy starting up Mount Everest saying that he didn't have time to buy any rope or pitons. ↗

— Stephen King

#writing #writers-on-writing

I don't think anybody can teach anybody anything. I think that you learn it, but the young writer that is as I say demon-driven and wants to learn and has got to write, he don't know why, he will learn from almost any source that he finds. He will learn from older people who are not writers, he will learn from writers, but he learns it -- you can't teach it. ↗

— William Faulkner

#writers #writing-advice #writing-advice

Interest is never enough. If it doesn't haunt you, you'll never write it well. What haunts and obsesses you may, with luck and labour, interest your readers. What merely interests you is sure to bore them. (from Workbook) ↗

— Steven Heighton

#obsession #reading #writing-advice