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Openness is also an acceptance that just as you have the inherent right to create your life as you see fit, so others have the same right with their own lives, even if their design differs from yours greatly. ↗
#law-of-attraction #manifestation #manifesting #mind-power #money
Even if the intelligent design of some structure has been established, it still is a separate question whether a wise, powerful, and beneficent God ought to have designed a complex, information-rich structure one way or another. For the sake of argument, let's grant that certain designed structures are not simply, as Gould put it, "odd" or "funny," but even cruel. What of it? Philosophical theology has abundant resources for dealing with the problem of evil, maintaining a God who is both omnipotent and benevolent in the face of evil. ↗
While the moral force of Judeo-Christian tradition and the law have sought to purify the penis, and to restrict its seed to the sanctified institution of matrimony, the penis is not by nature a monogamous organ. It knows no moral code. It was designed by nature for waste, it craves variety, and nothing less than castration will eliminate the allure of prostitution, fornication adultery, or pornography. ↗
Usability, fundamentally, is a matter of bringing a bit of human rights into the world of computer-human interaction. It's a way to let our ideals shine through in our software, no matter how mundane the software is. You may think that you're stuck in a boring, drab IT department making mind-numbing inventory software that only five lonely people will ever use. But you have daily opportunities to show respect for humanity even with the most mundane software. ↗
The problem with ID, of course, is that it leaves open the possibility that the intelligence behind nature may have a moral interest in us, having communicated already with humanity in the past, and might try to boss you around in your private affairs. With hypothetical advanced aliens residing at a safely distant address in the hypothetical multiverse, that is - to the relief of folks like Gribbin, Dawkins and the New Scientist - manifestly not the case. ↗
All Renaissance drama, especially the works of Marlowe and Shakespeare, is profoundly concerned with shifting power relations within society. The individual was a new force in relation to the state. The threat of rebellion, of the overturning of established order, was forcefully brought home to the Elizabethan public by the revolt of the Earl of Essex, once the Queen's favourite. The contemporary debate questioned the relationship between individual life, the power and authority of the state, and the establishing of moral absolutes. Where mediaeval drama was largely used as a means of showing God's designs, drama in Renaissance England focuses on man, and becomes a way of exploring his weaknesses, depravities, flaws - and qualities. ↗
In the 1970s, when Norman Sunshine won an Emmy for the graphics and title design he had created for one of Alan Shayne’s television productions, “Alan and I agreed it was not a good idea for us to be seen together at an industry event,” he remembers. “Alan, after all, was one of the very few homosexuals who had such a powerful, high profile job, and who lived openly with a man. Homophobia had its adherents and some ruthless climber up the executive ladder would certainly love an opportunity to use it… 'Better to be seen with a woman,’ we were advised by a very trusted friend, ‘Makes everyone more comfortable. ↗
#double-life #gay-marriage #love-story #norman-sunshine #design
The most celebrated American author of the twentieth century, Bellow objected during the first part of his career to being designated a “Jewish writer, ” but it was he who demonstrated how a Jewish voice could speak for an integrated America. With Bellow, Jewishness moved in from the immigrant margins to become a new form of American regionalism. Yet he did not have to write about Jews in order to write as a Jew. Bellow's curious mingling of laughter and trembling is particularly manifest in his novel Henderson the Rain King, that follows an archetypal Protestant American into mythic Africa. Bellow not only influenced and paved the way for other American Jewish writers like Philip Roth and Cynthia Ozick, but naturalized the immigrant voice: the American novel came to seem freshly authentic when it spoke in the voice of one of its discernible minorities. ↗
