Using the device of an imaginary world allows me in some strange way to go to the central issues - it's one of many ways to express feelings about real people, about real human relationships. ↗
Hence, in desiring, the more the enjoyment is delayed, the more fancy begins to weave about the object images of future fruition, and to clothe the desired object with properties calculated to inflame the impulse. ↗
When I joined Granada - which, you don't want to start crying about these things, but Granada was a very, very hot place to be, it was my good fortune to be there at that time - the BBC was firmly asleep. ↗
I'm happy when I'm juggling, but I feel like I've gone from, like, 3 balls to 10 bowling balls. But, that's a good problem. I don't really have a complaint about that. ↗
I was so naive I didn't even know about agents. I telephoned the William Morris agency and asked to speak to Mr. Morris. I expected Bill Morris to be waiting for my call. ↗
It's a pity that I can never really enjoy my movies because, after the mixing, your capacity as a spectator just disappears. I have to think about what I felt just before the mixing. ↗
I moved out to LA, got an agent, started auditioning. I didn't know anything about how it worked. And since I was really bad, luckily, I didn't get any of those parts. ↗
The first movie was mostly about George and Julia. This one is mostly about me and Catherine and our love story and our whole history. So it's a very different movie. ↗
