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#age

Read through the most famous quotes by topic #age




I think we've shot scenes from every angle directors can think of to make it look like different villages. I've directed a couple shows on that set and believe me, it's impossible not to duplicate some camera angles. ↗


— Vic Morrow


#angles #believe #camera #couple #different

One disadvantage of being a hog is that at any moment some blundering fool may try to make a silk purse out of your wife's ear. ↗


— J. B. Morton


#being #disadvantage #ear #fool #hog

You've got all these books on self help, getting to know yourself, doing the right thing, eating the so-called right foods, even down to what books you have on your shelves. People are encouraged to look to themselves first as opposed to being a part of society. ↗


— Samantha Morton


#books #doing #doing the right thing #down #eating

It's like I understand images and some people understand poetry. ↗


— Samantha Morton


#images #like #people #poetry #some

There are periods in history when change is necessary, and other periods when it is better to keep everything for the time as it is. The art of life is to be in the rhythm of your age. ↗


— Oswald Mosley


#art #better #change #everything #history

Oh, man," said Jack. "Everyone was nice to us when we looked rich. Now it feels like the whole world's against us. ↗


— Mary Pope Osborne


#rich #victorian-age #age

Arsenal have won that advantage, nobody gave it to them. By playing fantastic football and by winning matches and by winning trophies, they won that respect that the opponent has for them. ↗


— Jose Mourinho


#arsenal #fantastic #football #gave #matches

It was a sort of car that seemed to have a faculty for motion with an absolute lack of any accompanying sound whatsoever. This was probably illusory; it must have been, internal combustion engines being what they are, tires being what they are, brakes and gears being what they are, even raspy street-surfacing being what it is. Yet the illusion outside the hotel entrance was a complete one. Just as there are silencers that, when affixed to automatic hand-weapons, deaden their reports, so it was as if this whole massive car body were encased in something of that sort. For, first, there was nothing out there, nothing in sight there. Then, as though the street-bed were water and this bulky black shape were a grotesque gondola, it came floating up out of the darkness from nowhere. And then suddenly, still with no sound whatsoever, there it was at a halt, in position. It was like a ghost-car in every attribute but the visual one. In its trancelike approach and halt, in its lightlessness, in its enshrouded interior, which made it impossible to determine (at least without lowering one's head directly outside the windows and peering in at nose-tip range) if it were even occupied at all, and if so by whom and by how many. You could visualize it scuttling fleetly along some overshadowed country lane at dead of night, lightless, inscrutable, unidentifiable, to halt perhaps beside some inky grove of trees, linger there awhile undetected, then glide on again, its unaccountable errand accomplished without witness, without aftermath. A goblin-car that in an earlier age would have fed folklore and rural legend. Or, in the city, you could visualize it sliding stealthily along some warehouse-blacked back alley, curving and squirming in its terrible silence, then, as it neared the mouth and would have emerged, creeping to a stop and lying there in wait, unguessed in the gloom. Lying here in wait for long hours, like some huge metal-cased predatory animal, waiting to pounce on its prey. Sudden, sharp yellow spurts of fangs, and then to whirl and slink back into anonymity the way it came, leaving the carcass of its prey huddled there and dead. Who was there to know? Who was there to tell? ("The Number's Up") ↗


— Cornell Woolrich


#car #folklore #ghost-car #noir #age

People would react to books by authors like James and Austen almost on a gut level. I think it was not so much the message, because the best authors do not have obvious messages. These authors were disturbing to my students because of their perspectives on life. ↗


— Azar Nafisi


#austen #authors #because #best #books

So, to praise others for their virtues can but encourage one's own efforts. ↗


— Nagarjuna


#encourage #others #own #praise #their






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