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Read through the most famous quotes by topic #ale
My honey child, them housing projects Cannot contain her multitudes A sunbeam, hard upon her Just a fly strugglin’ through her braid loops Watch me prove to ‘em I’m more than nothin’ But a ragamuffin with homesick eyes Yes, when it gets to be the same old thing Shorty you ought to come and see about me My love, she is a drummer Than industrial steel, her backbone tougher The eloping night and the honey moon that trails Just dirt ‘neath her finger nails I’ll be down on them crossroads ‘Til daybreak winks a bright eye And if it gets to be the same old thing Shorty you ought to come and see about me She’s heard all the right things And they did not persuade her She has no use for your words What she wants is your labor ‘Cause when gringos speak of minorities They tend to keep their voices low Ah, but when that gets to be the same old thing Shorty you ought to come and see about me ↗
#bravado #love #poverty #station #valentine-xavier-bronzeville
It’s destiny; the stars have aligned perfectly to bring us together as friends. You cannot argue with what’s meant to be, once the stars have spoken, it is absolute,” he uttered, all smug and knowing. Shocked that he used the word destiny, I cocked my head and shot him a look—for the first time actually seeing Parker. He was pretty…too pretty to be a guy; streaky blond hair—as if each streak had been strategically placed—dark eyes, pale skin, and a charming smile that dimpled in one cheek. “Destiny has already found me, with a clearly marked path for my future,” I retorted. “Then you are doubly fortunate, to have it find you twice.” Parker smiled again, his eyes eerily piercing into mine. ↗
"You’re the first girl I’ve met around here who’s real, and who cares about things and likes to do things. But half the time, you decide the conversation’s over in mid-sentence and take off. Or you ignore me when we’re at school and other people are around, and you tell your cousin that there’s nothing going on between us and that you’re not interested me at all." "Me? What about you?" "What about me?" "You’re the master of saying one word and disappearing. And you have all these things that you care about, like Bea and Oliver and surfing and acting, but most people would never know that. Your father thinks you can’t wait to be a banker and all your friends think you don’t care about anything. And meanwhile you’ve gone from a person who acted like he cared about me to a professional bodyguard doing a favor for my aunt. I mean, what is the whole Secret Service act about?” His jaw was clenched. “I don’t want anything to you.” “Nothing’s happened to me.” “Oh, like when you got hit by a car?” “It didn’t hit me.” “But I should have been there. I got caught up, talking to Mr. Dudley, and I was late, and I let you stand out there all alone.” “Quinn, that makes no sense.” “I just don’t want it to happen again.” “What don’t you want to happen?” “I don’t want anyone I care about to get hurt on my watch.” That shut us both up. We were silent for a while, each looking out our respective windows as we sped along the highway. And then I figured it out. “This is about your mom, isn’t it?” He just sort of shrugged. And then he said, “Probably.” I moved closer and leaned into him. After a moment he put his arm around my shoulder. And we just stayed like that, not talking, the rest of the way to the airport. ↗
It was our passion for words and our ardent desire to write that drew me and Michael together, and the same that drove us apart. Michael wanted to be a great playwright, like the former master Molière. He had high ambitions and scorned what I wrote as frivolous and feminine. ‘All these disguises and duels and abductions,’ he said contemptuously, one day a year or so after our affair began, slapping down the pile of paper covered with my sprawling handwriting. ‘All these desperate love affairs. And you wish me to take you seriously.’ ‘I like disguises and duels.’ I sat bolt upright on the edge of my bed. ‘Better than those dreary boring plays you write. At least something happens in my stories.’ ‘At least my plays are about something.’ ‘My stories are about something too. Just because they aren’t boring doesn’t mean they aren’t worthy.’ ‘What are they about? Love’ He clasped his hands together near his ear and fluttered his eyelashes.’ ‘Yes, love. What’s wrong with writing about love? Everyone longs for love.’ ‘Aren’t there enough love stories in the world without adding to them? ‘Isn’t there enough misery and tragedy?’ Michael snorted with contempt. ‘What’s wrong with wanting to be happy? ‘It’s sugary and sentimental.’ ‘Sugary? I’m not sugary.’ I was so angry that I hurled my shoes at his head. ↗
And there are millions of teens who read because they are sad and lonely and enraged. They read becuase they live in an often-terrible world. They read becuause they believe, despire the callow protestations of certain adults, that books-especially the dark and dangerous ones-will save them. As a child, I read because books-violent and not, blasphemous and not, terrifying and not-were the most loving and trustworthy things in my life. I read widely, and loved plenty of the classics so, yes, I recognized the domestic terrors faced by Lousia May Alcott's March sisters. But I became the kids chased by werewolves, vampires and evil clowns in Stephen King's books. I read books about monsters and monsterous things, often written with monstrous language, becuase they taught me how to battle the real monsters in my life. And now i write books for teenagers because I vividly remember what it felt like to be a teen facing everyday and epic dangers. I don't write to protect them. It's far to late for that. I write to give them weapons-in the form of wors and ideas-that will help them fight their monsters. I write in blood because I remember what it felt like to bleed. ↗
#love
I am glad," he said. "They will be able to take care of each other when I am gone, or at least I can hope for it. He says she does not love him, but - surely she will come to love him in time. Will is easy to love, and he has given her his whole heart. I can see it. I hope she will not break it." Sophie could not think of a word to say. She did not know what anyone could say in the face of love like this - so much forebearance, so much endurance, so much hope. ↗
Love potions? For Will 'erondale? 'Tain't my way to turn down payment, but any man who looks like you 'as got no need of love potions, and that's a fact." "No," Will said, a little desperation in his voice. "I was looking for the opposite, really -- something that might put an end to being in love." "An 'atred potion?" Mol still sounded amused. "I was hoping for something more akin to indifference? Tolerance?" She made a snorting noise, astonishingly human for a ghost. "I 'ardly like to tell you this, Nephilim, but if you want a girl to 'ate you, there's easy enough ways of making it 'appen. You don't need my help with the poor thing." And with that she vanished, spinning away into the mists among the graves. Will, looking after her, sighed. "Not for her," he said under his breath, though there was no one to hear him, "for me..." And he leaned his head against the cold iron gate. ↗
#clockwork-prince #the-infernal-devices #tid #will-herondale #love
Yeah, you got married, didn’t you? But, you only did it because you thought we were over — and we’re not over. We’ll never be over. If you think that little piece of metal on your finger can shield off your feelings for me, you’re wrong. I wore one for five years and there wasn’t a day that went by where I wasn’t wishing it were you. ↗
