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There's a richness to the old works if you look before the 1950s. The chord progressions and the language was more complicated, especially in the jazz and classical world. ↗
Look there are going to be, there are already adjustment processes in place but the point is that you'll actually make them work and get satisfactory outcomes if there's decent burden sharing along the way. If there's, if you like a proper transitional assistance. ↗
My own work in spin glass and its consequences has formed some of the intellectual basis for these interests. ↗
