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Read through the most famous quotes by topic #beauty
Portia we can admire because, having seen her leave her Earthly Paradise to do a good deed in this world (one notices, incidentally, that in this world she appears in disguise), we know that she is aware of her wealth as a moral responsibility, but the other inhabitants of Belmont, Bassanio, Gratiano, Lorenzo and Jessica, for all their beauty and charm, appear as frivolous members of a leisure class, whose carefree life is parasitic upon the labors of others, including usurers. When we learn that Jessica has spent fourscore ducats of her father’s money in an evening and bought a monkey with her mother’s ring, we cannot take this as a comic punishment for Shylock’s sin of avarice; her behavior seems rather an example of the opposite sin of conspicuous waste. Then, with the example in our minds of self-sacrificing love as displayed by Antonio, while we can enjoy the verbal felicity of the love duet between Lorenzo and Jessica, we cannot help noticing that the pairs of lovers they recall, Troilus and Cressida, Aeneas and Dido, Jason and Medea, are none of them examples of self-sacrifice or fidelity. […] Belmont would like to believe that men and women are either good or bad by nature, but Antonio and Shylock remind us that this is an illusion; in the real world, no hatred is totally without justification, no love totally innocent. ↗
True beauty express itself automatically. It's not only visible in the material, but around one's being, and within their aura. I once met a female, who was like that of a jeweled flower. Her celestial atmosphere and genuine conception could not separate from the true expression of the definition of beauty. ↗
Every poet will forever try to write the greatest poem ever written, I have found that this kind of poem can be written with “One” word. And that word consists of a beauty beyond any measure to man and one of the most beauty creations to grace the presents of man. That one word poem is…….. “YOU ↗
#love #michael-jones #poems #poetry #beauty
Your essays spoke of beauty, of love, of light and darkness, of joy and sorrow, and of the goodness of life. They were wonderful compositions. I have seldom read any that have touched me more. To thank you and your teacher Mrs. Ellis, I am sending you what I think is one of the most beautiful and miraculous things in the world—an egg. I have a goose named Felicity and she lays about forty eggs every spring. It takes her almost three months to accomplish this. Each egg is a perfect thing. I am mailing you one of Felicity's eggs. The insides have been removed—blown out—so the egg should last forever. I hope you will enjoy seeing this great egg and loving it. Thank you for sending me your essays about being somebody. I was pleased that so many of you felt the beauty and goodness of the world. If we feel that when we are young, then there is great hope for us when we grow older. ↗
I want to undress you, touch you, kiss you, taste you. And then I want you to taste yourself on my mouth." He kissed her again, hot and strong and long. One hand crept to her clothed breast, kneading it. "I want you hard and hot and deep and fast. And then I want you slow and sweet. I want you to wrap those beautiful long legs around me. I want you under me and on top of me and sitting and standing. I want to see your eyes when pleasure makes you light up. I want to hold you when you come down and try to find your breath. I want everything with you, Ellie. I care about you more than I've cared about a woman in so long. I hardly recognized the feelings. I'm dying for you." (Noah Kincaid) ↗
And that is part of the job for us writers. To find the small splash of sameness however insignificant in our beautiful human differences. And it's in infusing stories with this bit of sameness that we are able to identify with a character that is so different than us or a place so foreign to what we know. We see a little piece of ourselves among the words and the pages and at the end of the story we can find hope for our own story. ↗
Not that there seems to be any appropriate place to bury someone, but these municipal cemeteries, or any cemetery at all for that matter, like the ones by the highway, or the ones in the middle of town, with all these bodies with their corresponding rocks - oh it's just too primitive and vulgar, isn't it? The hole, and the box, and the rock on the grass? And we glamorize this process, feel it fitting and dramatic, austerely beautiful, standing there by the hole as we lower the box. It's incredible. Barbaric and base. ↗
