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Venne un giorno che alla svolta del sentiero della Palascia la strinsi tanto fra le braccia da toglierle il respiro: alzò gli occhi verso di me e per la prima volta mi guardò in modo diverso, come se avesse capito. ↗
Shooting Willoughby carrying Marianne up the path. They did it four times. 'Faster,' said Ang [Lee]. They do it twice more. 'Don't pant so much,' said Ang. Greg [Wise (playing Willoughby)], to his great credit, didn't scream. ↗
Herman Melville is not comforting. Emily Dickinson isn’t either. Maybe their work is too hungry for comfort, or just too vivid for comfort. But Henry James is – profoundly so. Because he is tender. The tenderness is there in the structure of the sentence. He knows the way the poor and the dead are forgotten by the living, and he cannot allow that to happen. So he keeps on writing for them, for the dead, as if they were children to be sheltered and loved, never abandoned. ↗
#love
She told him ... how her heart had fairly skipped a beat when she'd seen him standing in the middle of the road dressed as a true Highland warrior. "If I hadna been in love wi' you already, I'd have fallen in love wi' you then." He grinned, his whiskery face unbearably bonnie even with its cuts and bruises. "So you like the sight of me in a pladdie, aye?" "Aye--and wi' braids in your hair." She leaned down and kissed him. "But I think red paint looks silly. ↗
It was a warm and natural feeling to be there. We were not black or white people. We were just people bound together by love and understanding. As I walked out of that church, I felt like I had rediscovered my inner peace. From "Lizzie After The War" by www.Nancy B. Brewer.com----Amazon/kindle/Nook ↗
I have lived recklessly, gambled my income away at the horse races, gone whoring, have been more drunk than sober, beaten men to a pulp with my hands, have had a man’s nose cut off for insulting my father and have been indebted to villains more times than I care to say. But, I do not want to live like this anymore. I want a quiet life with a good woman who will care and love me – not for being the Duke of Monmouth, but for me, Jemmy. ↗
We tangle and merge. Love and let go. No one will ever know her like I do. I’ve touched every inch of skin. I’ve explored every part of her being. I love her shy when I pull her to my hips, my lap. I love her present uncertainty for things she knows how to do so fucking good. I love her pink flushed skin all over. ↗
If I shut everything else out and filled the room with memories, the past could become the present, and I could live there, with him. I would never leave. ↗
