I directed 24's pilot. I felt we should follow the characters around as if we were a documentary crew, using available light, hand-held cameras, split screens, sound that isn't always what it should be, to suit the reality of the premise. ↗
What does it tell you that applications for guns since the shooting are up 41 percent in Colorado, and that our cameras found about 50 people in line at one gun shop yesterday outside Denver? ↗
You know, I've had blowups with my coach too. The same thing happens, it just wasn't as evident back then because they didn't have so many cameras and ways to see things happen. ↗
We had two cameras, so they could turn it on and shoot as much as we wanted. You don't have to worry about wasting money on film. A lot more takes are possible. ↗
We can't have cellphones, TV, radio or the Internet. If the president died, we'd have no idea. There's no normalcy. It's just like prison, with cameras. ↗
I used to watch 'The Apprentice' all the time and I thought Bill was a fox. That was that, we didn't see each other for years, and then we saw each other and 45 minutes after the cameras stopped rolling, we were still talking. ↗