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Read through the most famous quotes by topic #cape
Over the years, one comes to measure a place, too, not just for the beauty it may give, the balminess of its breezes, the insouciance and relaxation it encourages, the sublime pleasures it offers, but for what it teaches. The way in which it alters our perception of the human. It is not so much that you want to return to indifferent or difficult places, but that you want to not forget. ↗
Comely was the town by the curving river that they dismantled in a year's time. Beautiful was Colleton in her last spring as she flung azaleas like a girl throwing rice at a desperate wedding. In dazzling profusion, Colleton ripened in a gauze of sweet gardens and the town ached beneath a canopy of promissory fragrance. ↗
The sky's gray and there's mizzle. It's so soft on my skin--it's nothing like rain. It's even softer than the lightest drizzle! Lift my face up, so it can kiss my skin." The Panopticon ↗
By this time the day had changed in a manner characteristic of the Black Country. I've told you already how in the early morning we got the impression that the sky had been washed by dew and all its impurities drained downward into the lower levels of the coal measures. One reason for this clearness was that the day before had been Sunday, and ninety percent of the smoke stacks were at rest. But all morning the chimneys of Dulston and Wolverbury and Darsall, and all the other congeries of red brick with uncouth names, had been disgorging their fumes of unconsumed carbon and sprays of steam, until a grayish yellow cloud hung over them. There wasn't a breath of wind that day; if it had been left to itself, the stuff would just have settled down on them like soup; but all the time fresh filth went on bubbling up from the bottom, so that the basin gradually filled, with the result that by midday its skimmings had reached the level of our sky. You couldn't see them, and yet they took every bit of colour out of the landscape, just as though we were looking through smoked glass. They were like a poison in our lungs; they made the air we breathed seem flat, devitalized, warm. We could taste their faint acridity with our tongues. All the time this thin, invisible poison came creeping up the slope of the hill. Evelyn spoke of it as a fog; we Londoners know the meaning of an honest fog; but this wasn't a fog, it was a blight. So we walked on through a landscape that was like a spoiled photgraphic plate. We followed the line of the Roman causeway between banks of rusty hazel. The surface of the road had been repaired by a dressing of slag that gave it a feeling of black sterility. The fields that we saw on either side of it, wherever the hedges straggled into gaps, had no greenness in them. They were dotted with mounds of ashes, on which no weeds would grow, and pits of dirty water. No trees but an occasional black and twisted hawthorn. In one field a huge circular boiler of a type that has long since been discarded lay on its side like a stranded buoy. No Man's Land with a vengeance! ↗
Then sudden Felagund there swaying Sang in answer a song of staying, Resisting, battling against power, Of secrets kept, strength like a tower, And trust unbroken, freedom, escape; Of changing and of shifting shape, Of snares eluded, broken traps, The prison opening, the chain that snaps. ↗
She put her tongue out and felt the raw edges of the torn silk. She looped her tongue around them and drew them into her teeth. Just a little bit, she thought, that's all I need to free my eyelids. She pulled the tasteless web between her teeth and ground, pulling her jaw down in a grimace - it felt as it she was eating the very skin off her face. But the silk over her eyelids shifted. ↗
If Cape wasn't your last name, what was your real one?" I asked, deathly curious now. "Ahhhh," he complained. "Pincas Huckleburr. ↗
