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Read through the most famous quotes by topic #cat
Who is willing to be satisfied with a job that expresses all his limitations? He will accept such work only as a 'means of livelihood' while he waits to discover his 'true vocation'. The world is full of unsuccessful businessmen who still secretly believe they were meant to be artists or writers or actors in the movies. ↗
Then I’d throw my automatic down the elevator shaft-after I’d wiped off all the fingerprints and all. Then I’d crawl back up to my room and call up Jane and have her come over and bandage up my guts. I pictured her holding a cigarette for me to smoke while I was bleeding and all. The goddam movies. They can ruin you. I’m not kidding. ↗
Charlie whistled "Amazing Grace" as he drove. It was all I could do not to whip my head around and snap, Are you kidding me? Couldn't he pick something more appropriate, like "Shout at the Devil" or "Don't fear the Reaper"? Some people had no sense of the proper music for a kidnapping. ↗
The streets of Prague were a fantasia scarcely touched by the twenty-first century—or the twentieth or nineteenth, for that matter. It was a city of alchemists and dreamers, its medieval cobbles once trod by golems, mystics, invading armies. Tall houses glowed goldenrod and carmine and eggshell blue, embellished with Rococo plasterwork and capped in roofs of uniform red. Baroque cupolas were the soft green of antique copper, and Gothic steeples stood ready to impale fallen angels. The wind carried the memory of magic, revolution, violins, and the cobbled lanes meandered like creeks. Thugs wore Motzart wigs and pushed chamber music on street corners, and marionettes hung in windows, making the whole city seem like a theater with unseen puppeteers crouched behind velvet. ↗
catalyst, n. It surprised me — surprises me still — that you were the first one to say it. I was innocent, in a way, expecting those three words to appear boldface with music. But instead, it was such an ordinary moment: The movie was over, and I stood up to turn off the TV. A few minutes had passed from the end of the final credits, and we’d been sitting there on the couch, your legs over mine, the side of your hand touching the side of my hand. The video stopped and the screen turned blue. “I’ll get it,” I said, and was halfway to the television when you said, “I love you.” I never asked, but I’ll always wonder: What was it about that moment that made you realize it? Or, if you’d known it for awhile, what compelled you to say it then? It was welcome, so welcome, and in my rush to say that I loved you, too, I left the television on, I let that light bathe us for a little longer, as I returned to the couch, to you. We held there for awhile, not really sure what would happen next. ↗
#i-love-you #love #love
Oh, I can see that,” Catelyn said. “Lord Tully is fond of song, I hear. No doubt you’ve been to Riverrun.” “A hundred times,” Marillion the singer said airily. “They keep a chamber for me, and the young lord is like a brother.” Catelyn smiled, wondering what Edmure would think of that. Another singer had once bedded a girl her brother fancied; he had hated the breed ever since. “And Winterfell?” she asked him. “Have you traveled north?” “Why would I?” Marillion asked. “It’s all blizzards and bearskins up there, and the Starks know no music but the howling of wolves.” Distantly, she was aware of the door banging open at the far end of the room. ↗
She was born as music–a single, mellow note suspended in the air. Suspended as if strung from nothing, held into possibilities of sound. Her clear note hung a lone, sweet tone in the midst of us all; as silence captured its ache and tenderly, reluctantly released it, dipped it lower into a breath of melancholy only to lift again to its earlier height both rich and real and complete–one solitary note swaying into the early dawn. Emily arrived in the cold, grey hours of the newborn year, between the breathing dark and the pearl, winter light. A child of the dawn, before dawn broke. ↗
Men who read it [beauty pornography] don't do so because they want women who look like that. The attraction of what they are holding is that it is not a woman, but a two-dimensional woman-shaped blank. The appeal of the material is not the fantasy that the model will come to life; it is precisely that she will not, ever. Her coming to life would ruin the vision. It is not about life. Ideal beauty is ideal because it does not exist; The action lies in the gap between desire and gratification. Women are not perfect beauties without distance. That space, in a consumer culture, is a lucrative one. The beauty myth moves for men as a mirage, its power lies in its ever-receding nature. When the gap is closed, the lover embraces only his own disillusion. ↗
Louisiana in September was like an obscene phone call from nature. The air--moist, sultry, secretive, and far from fresh--felt as if it were being exhaled into one's face. Sometimes it even sounded like heavy breathing. Honeysuckle, swamp flowers, magnolia, and the mystery smell of the river scented the atmosphere, amplifying the intrusion of organic sleaze. It was aphrodisiac and repressive, soft and violent at the same time. In New Orleans, in the French Quarter, miles from the barking lungs of alligators, the air maintained this quality of breath, although here it acquired a tinge of metallic halitosis, due to fumes expelled by tourist buses, trucks delivering Dixie beer, and, on Decatur Street, a mass-transit motor coach named Desire. ↗
#decatur #dixie-beer #french-quarter #honeysuckle #louisiana
