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A única coisa que havia ali dentro era uma cama sem colchão, que ele olhava fixamente. Em cima dela, sua mãe teria chorado e tremido de medo. Em cima dela, teria lamentado sua vida, sofrido as dores do ventre e as do coração. Em cima dela, sua mãe teria conhecido sua desimportância, teria entendido que o mundo podia muito bem continuar sem ela. Em cima dela, sua mãe talvez tivesse desejado morrer. Enfim, em cima daquela cama, sua mãe acabou tendo seu encontro fatal com a morte. E, diante dela, se encontrava agora a explicação para toda aquela dor. ↗
For the most part, I have a very manageable celebrity. People recognize me from time to time, and they usually say very appreciative things. It affords me a great deal of pleasure. ↗
To me it was plain silly. It is so obvious that life works in terms of species rather than individuals. The individual just has to be born, to develop to the point at which it can procreate, and then to fall away into death to make way for its successors, and humans are no exception whatever they may fancy. ↗
As Mollie said to Dailey in the 1890s: "I am told that there are five other Mollie Fanchers, who together, make the whole of the one Mollie Fancher, known to the world; who they are and what they are I cannot tell or explain, I can only conjecture." Dailey described five distinct Mollies, each with a different name, each of whom he met (as did Aunt Susan and a family friend, George Sargent). According to Susan Crosby, the first additional personality appeared some three years after the after the nine-year trance, or around 1878. The dominant Mollie, the one who functioned most of the time and was known to everyone as Mollie Fancher, was designated Sunbeam (the names were devised by Sargent, as he met each of the personalities). The four other personalities came out only at night, after eleven, when Mollie would have her usual spasm and trance. The first to appear was always Idol, who shared Sunbeam's memories of childhood and adolescence but had no memory of the horsecar accident. Idol was very jealous of Sunbeam's accomplishments, and would sometimes unravel her embroidery or hide her work. Idol and Sunbeam wrote with different handwriting, and at times penned letters to each other. The next personality Sargent named Rosebud: "It was the sweetest little child's face," he described, "the voice and accent that of a little child." Rosebud said she was seven years old, and had Mollie's memories of early childhood: her first teacher's name, the streets on which she had lived, children's songs. She wrote with a child's handwriting, upper- and lowercase letters mixed. When Dailey questioned Rosebud about her mother, she answered that she was sick and had gone away, and that she did not know when she would be coming back. As to where she lived, she answered "Fulton Street," where the Fanchers had lived before moving to Gates Avenue. Pearl, the fourth personality, was evidently in her late teens. Sargent described her as very spiritual, sweet in expression, cultured and agreeable: "She remembers Professor West [principal of Brooklyn Heights Seminary], and her school days and friends up to about the sixteenth year in the life of Mollie Fancher. She pronounces her words with an accent peculiar to young ladies of about 1865." Ruby, the last Mollie, was vivacious, humorous, bright, witty. "She does everything with a dash," said Sargent. "What mystifies me about 'Ruby,' and distinguishes her from the others, is that she does not, in her conversations with me, go much into the life of Mollie Fancher. She has the air of knowing a good deal more than she tells. ↗
#conversion-disorder #dissociation #dissociative-identity-disorder #history #hysteria
