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Read through the most famous quotes by topic #clary
Actually," Clary said, "I think he stayed because of me." Jace's glaze flicked up to hers with a flash of gold. "Because of you? Hoping for another hot date, was he?" Clary felt herself flush. "No. And our date wasn't hot. In fact, it wasn't even a date. Anyway, that's not the point. When he came into the Hall, he kept trying to get me to go outside with him so we could talk. He wanted something from me. I just don't know what." "Or maybe he just wanted you," Jace said. Seeing Clary's expression, he added, "Not that way. I mean maybe he wanted to bring you to Valentine. ↗
She managed a smile. "You're kind of pushy, you know." He shrugged. "I have a fetish for damsels in distress." "Don't be sexist." "Not at all. My services are also available to gentlemen in distress. It's an equal opportunity fetish," he said, and with a flourish, offered his arm again. ↗
You're my sister," he said finally. "My sister, my blood, my family. I should want to protect you"- he laughed soundlessly and without any humor- "to protect you from the sort of boys who want to do with you exactly what I want to do. ↗
...; Clary saw the group of lycanthropes look up, alert as a group of hunting dogs senting game. She turned- And saw Luke, tired and bloodstained, coming through the double doors of the Hall. She ran toward him. Forgetting how upset she'd been when he'd left, and forgetting how angry he'd been with her for bringing them here, forgetting everything but how glad she was to see him. He looked surprised for a moment as she barreled toward him- then he smiled, and put his arms out, and picked her up as he hugged her, the way he'd done when she'd been very small. He smelled like blood and flannel and smoke, and for a moment she closed her eyes, thinking of the way Alec had grabbed onto Jace the moment he'd seen him in the Hall, because that was what you did with family when you'd been worried about them, you grabbed them and held on to them and told them how much they'd pissed you off, and it was okay, becaused no matter how angry you got, they still belonged to you. And what she had said to Valentine was true. Luke was her family. ↗
I was hoping they would put up flyers like they do for lost cats." He said. "Missing, one stunningly attractive teenage boy. Answers to 'Jace' or 'hotstuff'." "You did not just say that." "You don't like 'hotstuff'? You think 'sweet cheeks' might be better? "Love crumpet'? Really? That last one's stretching it a bit. Though, technically my family is British- ↗
She closed her eyes and jumped. For a moment she felt herself hang suspended, free of everything. Then gravity took over, and she plunged toward the floor. Instinctively she pulled her arms and legs in, keeping her eyes squeezed shut. The cord pulled taut and she rebounded, flying back up before falling again. As her velocity slowed, she opened her eyes and found herself dangling at the end of the cord, about five feet above Jace. He was grinning. 'Nice', he said. 'As graceful as a falling snowflake. ↗
#falling #freedom #jace-wayland #mortal-instruments #freedom
But Jace", Clary said. "Valentine taught him more than just fighting. He taught him languages, and how to play the piano" "That was Jocelyn's influence." Sebastian said her name unwillingly, as if he hated the sound of it. "She thought Valentine ought to be able to talk about books, art, music...not just killing things. He passed that on to Jace." A wrought iron blue gate rose to their left. Sebastian ducked under it and beckoned Clary to follow him. She didn't have to duck but went after him, her hands stuffed into her pockets. "What about you?" she asked. He held up his hands. They were unmistakably her mother's hands - dexterous, long-fingered, meant for holding a brush or a pen. "I learned to play the instruments of war, " he said, "and paint in blood. I am not like Jace. ↗
What are you doing here, anyway?" "'Here' as in your bedroom or 'here' as in the great spiritual question of our purpose here on this planet? If you're asking whether it's all just a cosmic coincidence or there's a greater metaethical purpose to life, well, that's a puzzler for the ages. I mean, simple ontological reductionism is clearly a fallacious argument, but—" "I'm going back to bed." Clary reached for the doorknob. He slid nimbly between her and the door. "I'm here," he said, "because Hodge reminded me it was your birthday. ↗
