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Read through the most famous quotes by topic #communication
It was obvious to Aristotle that most things which move do so because some other moving object impels them. A hand, itself in motion, moves a sword; a wind, itself in motion, moves a ship. But it was also fundamental to his thought that no infinite series can be actual. We cannot therefore go on explaining one movement by another ad infinitum. There must be in the last resort something which, motionless itself, initiates the motion of all other things. Such a Prime Mover he finds in the wholly transcendent and immaterial God who 'occupies no place and is not affected by time'. But we must not imagine Him moving things by any positive action, for that would be to attribute some kind of motion to Himself and we should then not have reached an utterly unmoving Mover. How then does He move things? Aristotle answers [Greek here], 'He moves as beloved'. He moves other things, that is, as an object of desire moves those who desire it. The Primum Mobile is moved by its love for God, and being moved, communicates motion to the rest of the universe. [ch.V.c] ↗
By using repetition, images, and other strategies - all of which communicate truths in ways that are not cognitively or propositional - marketing forms us into the kind of persons who want to buy beer to have meaningful relationships, or to buy a car to be respected, or buy the latest thing to come along simply to satisfy the desire that has been formed and implanted in us. It is important to appreciate that these disciplinary mechanisms transmit values and truth claims, but not via propositions or cognitive means; rather, the values are transmitted more covertly...This covertness of the operation is also what makes it so powerful: the truths are inscribed in us through the powerful instruments of imagination and ritual. ↗
I would like to ofer some exercises that can help us use the Five Precepts to cultivate and strengthen mindfulness. It is best to choose one of these exercises and work with it meticulously for a week. Then examine the results and choose another for a subsequent week. These practices can help us understand and find ways to work with each precept. 1. Refrain from killing: reverence for life. Undertake for one week to purposefully bring no harm in thought, word, or deed to any living creature. Particularly, become aware of any living beings in your world (people, animals, even plants) whom you ignore, and cultivate a sense of care and reverence for them too. 2. Refraining from stealing: care with material goods. Undertake for one week to act on every single thought of generosity that arises spontaneously in your heart. 3. Refraining from sexual misconduct: conscious sexuality. Undertake for one week to observe meticulously how often sexual feelings arise in your consciousness. Each time, note what particular mind states you find associated with them such as love, tension, compulsion, caring, loneliness, desire for communication, greed, pleasure, agression, and so forth. 4. Refraining from false speech: speech from the heart. Undertake for one week not to gossip (positively or negatively) or speak about anyone you know who is not present with you (any third party). 5. Refraining from intoxicants to the point of heedlessness. Undertake for one week or one month to refrain from all intoxicants and addictive substances (such as wine, marijuana, even cigarettes and/or caffeine if you wish). Observe the impulses to use these, and become aware of what is going on in the heart and mind at the time of those impulses (88-89). ↗
In the murk ahead of them a pair of blazing torches indicated the entrance to the forum, with a pair of sentries standing guard in front of the high archway. Before the tribune had any chance to explain their presence to the surprised soldiers a legion centurion walked out of the courtyard beyond them, stopping with a start of surprise when he saw the newcomers. Staring with narrowed eyes at the three centurions’ unfamiliar armour and crested helmets, he was further taken aback when he realised who it was they were escorting. Scaurus allowed the silence to play out for a few seconds, watching the calculation in the legion officer’s face before speaking in an acerbic tone designed to communicate his status. ‘Yes, Centurion, this is a senior officer’s uniform, and yes, Centurion, you’re supposed to have your hand in the air some time about now.’ The other man saluted quickly, his face reddening with embarrassment, while the sentries worked hard but not entirely successfully at keeping the smirks off their faces. ‘I’m sorry, Prefect, it’s just that we weren’t expecting to receive any reinforcement.’ Marcus looked at Julius, wondering if his colleague was going to correct the legion man’s mistaken identification, but his questioning gaze was answered only by a slight shake of the big man’s head. Scaurus nodded to the centurion, looking over his shoulder at the dimly visible administrative building on the other side of the forum’s open courtyard. ‘That’s perfectly understandable, Centurion, because we’re not reinforcements. If you’ll show me to your tribune . . .? ↗
He was the most astonishing contradiction of components I’d ever encountered. Shy yet fiercely communicative when putting an idea into your head. Vocally astringent regarding his own abilities but not to the point that he couldn’t produce—he was as prolific an artist (yes, an artist, and I never use the term, especially regarding people I like) I’ve ever seen. But I could feel it. Everything he sketched, penciled, inked, made—was a payment, one he could scarcely afford; as if it physically hurt him to put pencil to paper. Yet that only seemed to spur him on, to live far beyond his means. He was unable not to. For Sketch, to draw was to breath, and so the air became lead—silvery in the right light, dark soot in the wrong; heavy, slick and malleable—into shapes he brought together in glorious orchestration, with a child’s eye and a rocket scientist’s precision, all fortified by a furious melancholy, a quiet engine of sourceless shame and humility. When it came to another’s work, he longed to praise it but then couldn’t resist critiquing it all within an inch of its life, analyzing deficiencies with uncontrollable abandon and laser accuracy. He was sharp as his Radio 914 pen nibs, and as pointed. And then he’d apologize. Oh, he would apologize: Oh my GOD, forgive me, please don’t hate me, I’m SORRY, don’t listen to me, why am I saying things, what do I know, I don’t know anything, why do you listen to me you should just tell me to shut UP, I’m awful, forgive me, you hate me, don’t you? Tell the truth. Please don’t hate me. Please don’t. Please. ↗
I am seriously troubled by the proposed rapid consolidation in the telecommunications marketplace. ↗
I speak onstage to try to establish some method of communication. The songs are supposed to be a way of communicating. But speech and drinks and sometimes chocolates are also a way of communicating. ↗
#chocolates #communicating #communication #drinks #establish
The first work of the director is to set a mood so that the actor's work can take place, so that the actor can create. And in order to do that, you have to communicate, communicate with the actors. And direction is about communication on all levels. ↗
I wrote somewhere during the Cold War that I sometimes wish the Iron Curtain were much taller than it is, so that you could see whether the development of science with no communication was parallel on the two sides. In this case it certainly wasn't. ↗
