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What all of this suggests is that we need a more complex understanding of identities. If we identify on the basis of race, class, sexuality, or gender alone we cannot make sense of the ways these identifications combine and change over time. The used-to-be-working class now professional woman, the woman of mixed racial parentage who appears white, the divorced mother who is now a lesbian, the former lesbian who is now straight, or the former lesbian who is now a man. Identities are always in motion; they are mobile (Ferguson, 1993). This is particularly the case for those who have been placed in identity categories that do not quite seem to fit; it is also true of many more of us, in varied ways. Just ask our current President, whose own origin story, of which he has spoken and written eloquently, is exceedingly complex. We need, I believe, a conception of identities that embraces this complexity, that takes into account temporality and also specificity. ↗
الحديث مع فتاة متحررة بالنسبة لي هنا كان مثل نسمة هواء باردة و منعشة، أستعيد بها روحي التي كانت تختنق أمام تناقضات و إزدواجية فتيات يردن التحرر، بينما يقررن أن الزواج و الجلوس في البيت قد يكون نهاية المطاف، أو حتي بعض الفتيات المتحررات اللائي لا يرين غضاضة في أن ينفق عليهن رجل بالكامل. لم أستطع أن أفهم منطقهن الإنتهازي، الحصول على مزايا التحرر، و مزايا النظام الشرقي الأبوي التقليدي معا ↗
We see the puppets dancing on their miniature stage, moving up and down as the strings pull them around, following the prescribed course of their various little parts. We learn to understand the logic of this theater and we find ourselves in its motions. We locate ourselves in society and thus recognize our own position as we hang from its subtle strings. For a moment we see ourselves as puppets indeed. But then we grasp a decisive difference between the puppet theater and our own drama. Unlike the puppets, we have the possibility of stopping in our movements, looking up and perceiving the machinery by which we have been moved. In this act lies the first step toward freedom. And in this same act we find the conclusive justification of sociology as a humanistic discipline ↗
Looking at Great-Great Grandpa Baldwin's photograph, I think to myself: You've finally done it. It took four generations, but you've finally goddamned done it. Gotten that war against reason and uppity secularists you always wanted. Gotten even for the Scopes trial, which they say was one of many burrs under your saddle until your last breath. Well, rejoice, old man, because your tribes have gathered around America's oldest magical hairball of ignorance and superstition, Christian fundamentalism, and their numbers have enabled them to suck so much oxygen out of the political atmosphere that they are now acknowledged as a mainstream force in politics. Episcopalians, Jews, and affluent suburban Methodists and Catholics, they are all now scratching their heads, sweating, and swearing loudly that this pack of lower-class zealots cannot possibly represent the mainstream--not the mainstream they learned about in their fancy sociology classes or were so comfortably reassured about by media commentators who were people like themselves. Goodnight, Grandpa Baldwin. I'll toast you from hell. ↗
Rape culture is a concept of unknown origin and of uncertain definition; yet it has made its way into everyday vocabulary and is assumed to be commonly understood. The award-winning documentary film Rape Culture made by Margaret Lazarus in 1975 takes credit for first defining the concept ↗
More about Howl? Sophie thought desperately. I have to blacken his name! Her mind was such a blank that for a second it actually seemed to her that Howl had no faults at all. How stupid! 'Well, he's fickle, careless, selfish, and hysterical,' she said. 'Half the time I think he doesn't care what happens to anyone as long as he's alright--but then I find out how awfully kind he's been to someone. Then I think he's kind just when it suits him--only then I find out he undercharges poor people. I don't know, Your Majesty. He's a mess. ↗
