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Read through the most famous quotes by topic #dan
He started to dance. And all at once, because Cole was dancing, I was dancing. And this Cole was even more persuasive than the last one. This was everything about Cole's smile made into a real thing, a physical object made out of his hands looped around me, and his long body pushed up against mine. I loved to dance, but I'd always been aware that I was dancing, aware of what my body was doing. Now, with this music thumping and Cole dancing with me, everything became invisible but the music. I was invisible. My hips were the booming bass. My hands on Cole were the wails of the synthesizer. My body was nothing but the hard, pulsing beat of the track. My thoughts were flashes in between the downbeats. beat: my hand pressed on Cole's stomach beat: our hips crushed together beat: Cole's laugh beat: we were one person Even knowing that Cole was good at this because it was what he did didn't make it any less of an amazing thing. Plus, he wasn't trying to be amazing without me--every move of his body was to make us move together. There was no ego, just the music and our bodies. When the track ended, Cole stepped back, out of breath, half a smile on his face. I couldn't see how he could stop. I wanted to dance until I couldn't stand up. I wanted to crush our bodies against each other until there was no pulling them apart. "You're an addiction," I told him. "You should know. ↗
The rage of the Beast Lord was a terrible thing to behold. Some people stormed, some punched things, but Curran slipped into this icy, bone-chilling calm. His face hardened into a flat mask, and his eyes turned into a molten inferno of pure gold. If you looked at it for longer than two seconds, your muscles locked, your knees shook, and you had to fight to keep from cringing. It was easier to look at the floor, but I didn’t. Besides, he wasn’t angry with me. He wasn’t even angry with Kate. He was angry with Anapa. I had no doubt that if he could’ve gotten a hold of the god at that moment, he would’ve broken him in half. “It’s only ribs,” Kate told him. “And they’re not even broken. They are fractured.” “And the hip,” Doolittle said. “And the knee.” There you go. Don’t expect mercy from a honeybadger. “How long do you need to keep her?” Curran looked to Doolittle. “She can go to her quarters, provided she doesn’t leave them,” Doolittle said. “I can’t do anything else with the magic down. She must stay down until I can patch her up.” “She will.” Curran reached for Kate. “Hey, baby. Ready?” She nodded. Curran slid his hands under her and picked her up, gently, as if she weighed nothing. “Good?” he asked. She put her arm around him. “Never better. ↗
#gunmetal-magic #ilona-andrews #kate-daniels #love #tenderness
Oh, and do you remember" --she added--"a conversation we had once about driving." "Why--not exactly." "You said a bad driver was only safe until she met another bad driver? Well, I met another bad driver, didn't I? I mean it was careless of me to make such wrong guess. I thought you were rather an honest, straightforward person. I thought it was your secret pride." "I'm thirty," I said. "I'm five years too old to lie to myself and call it honour." She didn't answer. Angry, and half in love with her, and tremendously sorry, I turned away. ↗
I Name you Echthroi. I Name you Meg. I Name you Calvin. I Name you Mr. Jenkins. I Name you Proginoskes. I fill you with Naming. Be! Be, butterfly and behemoth, be galaxy and grasshopper, star and sparrow, you matter, you are, be! Be caterpillar and comet, Be porcupine and planet, sea sand and solar system, sing with us, dance with us, rejoice with us, for the glory of creation, seagulls and seraphim angle worms and angel host, chrysanthemum and cherubim. (O cherubim.) Be! Sing for the glory of the living and the loving the flaming of creation sing with us dance with us be with us. Be!" - Madeleine L'Engle, A Wind in the Door ↗
If Sean's voice is layers of wood, and Mina Ma's is the voice a copper pot, then Mathew Mercer's is the voice of a wild animal. I suddenly think of a movie Ammara and I loved when we were little, and I think of Scar, the lion who murdered his brother to become king. That kind of voice. ↗
Well, don't you look lovely," his voice dripped behind me, his breath tickling my ear as his words trickled in my brain. Turning slowly, I saw him in his usual attire, a white t-shirt and jeans, but he looked incredible. His dark hair appeared darker in the dimmed lighting, his eyes shone with eagerness. "You're here," I said dumbly. Like he didn't know he was here. I was such an idiot sometimes. "I am," he said, a sexy smirk showing on one side of his mouth. "Wanna dance?" he asked, his leg shaking nervously, his eyes desperately searching mine for an answer. I nodded, unable to speak. We'd kised, but only a couple of times. He grabbed me, pulling me to a spot close to where we stood. Warm fingers of one hand circled around my waist, while the others held my had. He pulled me close, every inch of our bodies touching. His eyes never left mine as we swayed and spun. I was lost in all that was Cade Kelling. ↗
#love
Hvis nogen spurgte mig, hvad der gør mig rigtig lykkelig, so ville jeg svare: Det gør tallene. Sne og is og tal. Og ved du hvorfor? Fordi talsystemet er ligesom menneskelivet. Til at begynde med har man de naturlige tal. Det er dem der er hele og positive. Det lille barns tal. Men den menneskelige bevidsthed ekspanderer. Barnet obdager længslen, og ved du, hvad den matematiske udtryk for længslen er? Det er de negative tal. Formaliseringen af, at man føler, man mangler noget. Og bevidstheden udvider sig stadigvæk, og vokser, og barnet opdager mellemrummene. Mellem stenene, mellem mosserne på stenene, mellem menneskerne. Og mellem tallene. Og ved du hvad det fører til? Det fører til brøkerne. Det hele tal plus brøkerne giver de rationelle tal. Og bevidstheden stopper ikke der. Den vil overskride fornunften. Den tilføjer en operation så absurd som røduddragning. Og får de irrationelle tal. Det er en slags vanvid. For de irrationelle tal er endeløse. De kan ikke skrives. De tvinger bevidstheden ud i det grænseløse. Og med de irrationelle tal lagt til de rationelle, har man de reelle tal. Det stopper ikke. Det stopper aldrig. For nu, på stedet, udvider vi de reelle tal med de imaginære, kvadratrødder af negative tal. Det er tal, vi ikke kan forestille os, tal som normalbevidstheden ikke kan rumme. Og når vi lægger de imaginære tal til de reelle tal, så har vi det komplekse talsystem. Det første talsystem inden for hvilket det er muligt at gøre fyldestgørende rede for isens krystaldannelse. Horisonterne. Man drager imod dem, og de bliver ved med at flytte sig. ↗
#men
