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Quinn spoke their language—all mystery and inside jokes, scarred souls and statement shirts. It was a beautiful moment for him—in his element and completely happy. When they started playing, he leaned over and whispered in my ear. “See that guitar?” I nodded. “That’s a 1969 Martin D28. Hear me when I say if I had to choose between a beautiful girl and that guitar, I’d choose the guitar. Natch.” He took a huge gulp of water, clearly affected. “Naturally,” I whispered. “It could be why you’re still single. ↗
#glass-girl #guitar #henry-whitmire #indie-band #laura-anderson-kurk
I want to undress you, touch you, kiss you, taste you. And then I want you to taste yourself on my mouth." He kissed her again, hot and strong and long. One hand crept to her clothed breast, kneading it. "I want you hard and hot and deep and fast. And then I want you slow and sweet. I want you to wrap those beautiful long legs around me. I want you under me and on top of me and sitting and standing. I want to see your eyes when pleasure makes you light up. I want to hold you when you come down and try to find your breath. I want everything with you, Ellie. I care about you more than I've cared about a woman in so long. I hardly recognized the feelings. I'm dying for you." (Noah Kincaid) ↗
Without her glasses Vivian did look a little frightening. She had tight sinewy strappy muscles and a face that was hardened and almost brutal - a face that might have been chiseled by a sculptor who had fallen out of love with the idea of beauty. ↗
nothing beautiful is indispensable to life. [...] Nothing is really beautiful unless it is useless; everything useful is ugly, for it expresses a need, and the needs of man are ignoble and disgusting, like his poor weak nature. The most useful place in the house is the lavatory." Theophile Gautier, "Mademoiselle de Maupin ↗
I want to fulfill myself in one of the rarest of destinies. I have only a dim notion of what it will be. I want it to have not a graceful curve slightly bent toward evening but a hitherto unseen beauty lovely because of the danger which works away at it overwhelms it undermines it. Oh let me be only utter beauty I shall go quickly or slowly but I shall dare what must be dared. I shall destroy appearances the casings will burn away and one evening I shall appear there in the palm of your hand quiet and pure like a glass statuette. You will see me. Round about me there will be nothing left. ↗
A man who lies to himself can be more easily offended than anyone else. For it is sometimes very pleasant to take offence, isn't it? And yet he knows that no one has offended him and that he has invented the offence himself, that he has lied just for the beauty of it, that he has exaggerated to make himself look big and important, that he has fastened on a phrase and made a mountain out of a molehill - he knows it all and yet is the first to take offence, he finds pleasure in it and feels mightily satisfied with himself, and so reaches the point of real enmity... Get up, please. Sit down, I beg you. Why, all this, too, is deceitful posturing. ↗
Was it possible to love a man who made you feel ridiculous? Of course [.....], love was complicated, that was all. Or was love simple, and marriage was complicated? In seventeen years of marriage David had often left her feeling frustrated, and furious, and disgusted, yes - but he had also made her feel beautiful, and protected, and loved. And oh, what she would give to feel loved right now. ↗
MINISTER: All he has done is to find some means of bewitching the intelligence. He has only induced a radical suspension of disbelief. As in the early days of the cinema, all the citizens are jumping through the screen to lay their hands on the naked lady in the bathtub! AMBASSADOR: And yet, in fact, their fingers touch flesh. MINISTER: They believe they do. Yet all they touch is substantial shadow. AMBASSADOR: And what a beautiful definition of flesh! You know I am only substantial shadow, Minister, but if you cut me, I bleed. Touch me, I palpitate! ↗
