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«Whatever,» she said, turning her back. «No, wait, I changed my mind.» Galadir grabbed her by the arm and molded her to his body. «I have already forgiven you.» He kissed her passionately. Morwen tied her arms around his neck, reciprocating the kiss. «I love you, Galadir, Prince of Thera. I love you so much,» she said, breaking away and showing off her stunning smile. ↗
This growth in the number, speed of formation, permanence, delicacy and complexity of associations possible for an animal reaches its acme in the case of man. ↗
Eustacia Vye was the raw material of a divinity. On Olympus she would have done well with a little preparation. She had the passions and instincts which make a model goddess, that is, those which make not quite a model woman. Had it been possible for the earth and mankind to be entirely in her grasp for a while, she had handled the distaff, the spindle, and the shears at her own free will, few in the world would have noticed the change of government. There would have been the same inequality of lot, the same heaping up of favors here, of contumely there, the same generosity before justice, the same perpetual dilemmas, the same captious alteration of caresses and blows that we endure now. ↗
In this sense, Byzantine culture embodies the French historian Fernand Braudel's notion of the longue durée, the long term: that which survives the vicissitudes of changing governments, newfangled fashions or technological improvements, an ongoing inheritance that can both imprison and inspire. ↗
-Nice concept. -What is? -Retreating. Getting away from the grind. -Oh, you never do. You just change gears. ↗