It was my band. I organized the band and Dizzy was in the band. Dizzy was the first musical director with the band. Charlie Parker was in the band. But, no, no, that was my band. ↗
As you follow the escapades or the journey of the hero through a story, it evokes some kind of emotion in the viewers. The director's job is to make sure that the audience goes through the journey and has an emotional reaction. ↗
There is no great sport in having bullets flying about one in every direction, but I find they have less horror when among them than when in anticipation. ↗
I mean, if you are directing actors to do one thing and then directing them to do something else entirely because the one thing you wanted them to do may not work, then you are just shattering their confidence in the project. ↗
I've been writing a lot, I've a few projects I'm trying to finance, I do some acting, I do some directing... Apart from that, if I could get lower that a ten handicap on my golf game I'd be thrilled. ↗
Just the type of music that was around at the same time as I was writing. Some of it was wicked, definitely. But there was just one direction which I thought could be pushed that no one was pushing. ↗
So, it becomes an exercise in futility if you write something that does not express the film as the director wishes. It's still their ball game. It's their show. I think any successful composer learns how to dance around the director's impulses. ↗