In France, I have lots of opportunities. Maybe now I'll be offered films in America. It's the encounter, with the director and the story that counts. ↗
Writing in other voices is almost Japanese in the sense that there's a certain formality there which allows me to sidestep the embarrassment of directly expressing to complete strangers the most intimate details of my life. ↗
I want to direct but I think I'd be bloody awful and I don't want to produce but I think I'd be a very good producer because if I believed in something I'd be able to protect it. ↗
I remember my brother Nash had just directed me in 'The Square,' and I was sitting in Australia going: 'No one's called me about working for ages. I don't know if I'm ever going to get another job.' ↗
It was difficult every ten days having a new director. I'm a real collaborator and, as an actor, I want to be directed. It's hard for me to shift gears. ↗
The film of tomorrow will resemble the person who made it, and the number of spectators will be proportional to the number of friends the director has. ↗