#disney

Disneyland is the star, everything else is in the supporting role. ↗

— Walt Disney

#else #everything #role #star #supporting

Disney was not a good animator, he didn't draw well at all, but he was always a great idea man, and a good writer. ↗

— Chuck Jones

#animator #disney #draw #good #good writer

I'd love to have the opportunity to sing in a Disney movie. ↗

— Moira Kelly

#i #love #movie #opportunity #sing

I collect action figures, mostly. I have a Batman room, with just Batman stuff, and I have a Disney collection. ↗

— Jason Marsden

#batman #collect #collection #disney #figures

Disney is thrilling and informative and important and beautiful and suspect. Butts was a detail I observed later and definitely ties in. I suppose I was programmed, yeah. ↗

— Mark Morris

#butts #definitely #detail #disney #i

Tyler Perry's brand is faith, family and this whole thing that I've built, while my company, 34th Street Films, is like Disney's Touchstone. We can do anything. People don't know what to expect from me yet. ↗

— Tyler Perry

#brand #built #company #disney #expect

Whence the possibility of an ideological analysis of Disneyland (L. Marin did it very well in Utopiques, jeux d'espace [Utopias, play of space]): digest of the American way of life, panegyric of American values, idealized transposition of a contradictory reality. Certainly. But this masks something else and this "ideological" blanket functions as a cover for a simulation of the third order: Disneyland exists in order to hide that it is the "real" country, all of "real" America that is Disneyland (a bit like prisons are there to hide that it is the social in its entirety, in its banal omnipresence, that is carceral). Disneyland is presented as imaginary in order to make us believe that the rest is real, whereas all of Los Angeles and the America that surrounds it are no longer real, but belong to the hyperreal order and to the order of simulation. It is no longer a question of a false representation of reality (ideology) but of concealing the fact that the real is no longer real, and thus of saving the reality principle. ↗

— Jean Baudrillard

#disneyland #simulacra #simulation #life

We could stay. You could sleep it off and we can still go to Disney with everyone tomorrow. Don’t you want to go to Fantasyland?” I batted my eyelashes. Jackson ran his thumb and forefinger over his lip, catching his grin and a speck of dried blood at once. The second that grin appeared, it was as if the entire evening’s events evaporated. “Why, Emma Pierce, do you want me to take you to Fantasyland and make all of your dreams come true?” He winked with his good eye. It was painfully adorable. ↗

— Rachael Wade

#fantasy #fantasyland #romance #dreams

I had a friend in college who loved to say: 'If you can dream it, you can do it.' It became my mantra. I assumed it was a pearl of wisdom from some great thinker, a philosopher perhaps, like Descartes. It turned out to be Walt Disney, which in no way diminishes the wisdom of the advice. Anyone who can build a Magic Kingdom deserves to be listened to. ↗

— Michele Gorman

#dreams

So planning something big." "If this is the work of the Overtakers, we've never seen anything like it." "It is," a voice said behind them. Maybeck slipped in alongside of them. "You about scared the pee out of me!" Charlene complained. ↗

— Ridley Pearson

#disney #humor #kigdom-keepers #pee #humor