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She allowed the sweet thrill of hearing Mack Logan’s voice, even in the background, run through her before she dismissed it as another childhood fantasy. When they’d been best friends as children, she’d had an unbounded belief in mermaids and fairies, in fairytales and nature’s mysteries. She’d believed she could fly with Peter Pan, breathe underwater, walk without touching the ground. And she believed Mack Logan loved her. Reality had a way of ruining a girl’s dreams. ↗
Mephistopheles' contentious, often ambiguous relationship to Faustus is a reference to tantra just as it is to alchemy. It resembles the shifting tactics of a guru who varies his approach to his pupil in order to dissolve his resistances and prepare him for wider states of consciousness. Both Faustus and the tantric aspirant stimulate and indulge their senses under the guidance of their teachers who encourage them to have sexual encounters with women in their dreams. Both work with magical diagrams or yantras, exhibit extraordinary will, "fly" on visionary journeys, acquire powers of teleportation, invisibility, prophecy, and healing, and have ritual intercourse with women whom they visualize as goddesses. The tantrist [sic] is said to become omniscient as a result of his sacred "marriage," and Faustus produces an omniscient child in his union with the visualized Helen, or Sophia. ↗
The difference was principally in the invisible places toward which their respective hearts were turned. They dreamed of Cairo with its autonomous government, its army, its newspapers and its cinema, while he, facing in the same direction, dreamed just a little beyond Cairo, across the Bhar El Hamar to Mecca. They thought in terms of grievances, censorship, petitions and reforms; he, like any good Moslem who knows only the tenets of his religion, in terms of destiny and divine justice. If the word 'independence' was uttered, they saw platoons of Moslem soldiers marching through streets were all the signs were written in Arabic script, they saw factories and power plants rising from the fields; he saw skies of flame, the wings of avenging angels, and total destruction. ↗
Bear with me G-Harrison because this is going to be a long speech. I’ve always had this feeling that the world is not enough and I won’t be happy in life unless I hold hands with a girl who has a golden eye and a gold finger; I beat the living daylights out a guy called Dr No; I get a postcard from my friend who lives in Russia which reads ‘From Russia with love’; I spend some time working for her majesty’s secret service; I play the Thunderball Super Spud lottery; I meet a guy called Moonraker; I finally get a licence to kill, which I applied for months ago; I buy a house with a view to kill for and I get a pet octopus called Octopussy. If only I lived twice and tomorrow never died, maybe then I would get a chance to fulfil my dreams. ↗
In rereading one of the best essays I know on Dante's Paradiso, Giovanni Getto's "Aspetti della poesia di Dante" (Aspects of Dante's Poetry, 1947), one can see that there is not one single image of Paradise that does not stem from a tradition that was part of the medieval reader's heritage, I won't say of ideas, but of daily fantasies and feelings. It is from the biblical tradition and the church fathers that these radiances come from, these vortices of flame, these lamps, these suns, these brilliances and brightnesses emerging "like a horizon clearing" (Par. 14.69)...For medieval man, reading about this light and luminosity was equivalent to when we dream about the sinuous gracefulness of a movie star, the elegant lines of a car...It is this appeal to a poetry of understanding that can make the Paradiso fascinating even for the modern reader who has lost the reference points familiar to his medieval counterpart. ↗
Ivanov: I am a bad, pathetic and worthless individual. One needs to be pathetic, too, worn out and drained by drink, like Pasha, to be still fond of me and to respect me. My God, how I despise myself! I so deeply loathe my voice, my walk, my hands, these clothes, my thoughts. Well, isn't that funny, isn't that shocking? Less than a year ago I was healthy and strong, I was cheerful, tireless, passionate, I worked with these very hands, I could speak to move even Philistines to tears, I could cry when I saw grief, I became indignant when I encountered evil. I knew inspiration, I knew the charm and poetry of quiet nights when from dusk to dawn you sit at your desk or indulge you mind with dreams. I believed, I looked into the future as into the eyes of my own mother... And now, my God, I am exhausted, I do not believe, I spend my days and nights in idleness. ↗
Girl in the wind blowing wide open the closed doors of my life - which way are we going? Standing against the lurid sky on the stark brink of ocean arms outstretched as if your love and hunger would embrace the world and I in my inner room playing my poetic premutations can only look and ask the unanswerable. Brave and cunning I speak to my typewriter knowing it will not answer back knowing it will not reply what I ask and do not want to hear as you with the vast sunset merge a multitude of dreams away uniquely alone and outside of me in the purity and rarity of this moment immeasurably beyond my love and my rage and with the dying call of gulls the echo resounds: Girl in the wind throwing aside the tight shutters of my life - which way are we going? ↗
