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Read through the most famous quotes by topic #eat
Creative work bridges time because the energy of art is not time-bound. If it were we should have no interest in the art of the past, except as history or documentary. But our interest in art is our interest in ourselves both now and always. Here and forever. There is a sense of the human spirit as always existing. This makes our death bearable. Life + art is a boisterous communion/communication with the dead. It is a boxing match with time. ↗
Art gives its vision to beauty not always recognized. And it surrenders freely -- whatever power it possesses to every sincere soul that seeks it. But above all else--it presents us with the gift of ourselves. ↗
Art can model the more difficult dynamic of transfiguring one’s life, but at some point the dynamic reverses itself: life models, or forces, the existential crisis by which art—great art—is fully experienced. There is a fluidity between art and life, then, in the same way that there is, in the best lives, a fluidity between mind and matter, self and soul, life and death. Experience seems to stream clearly through some lives, rather than getting slowed and clogged up in the drift-waste of ego, or stagnating in little inlets of despair, envy, rage. It has to do with seizing and releasing as a single gesture. It has to do with standing in relation to life and death ... owning an emptiness that, because you have claimed it, has become a source of light, wearing your wound that, like a ramshackle house on some high exposed hill, sings with the hard wind that is steadily destroying it. ↗
#death #life #singing #transcendence #art
I made a record called Island in the Sun about the planet Earth and invited David over to hear it at the house I had rented in Hawaii. We was not impressed with it and asked me to do something else. That was the first time that had ever happened to me. It was a good record, and I liked it. To accommodate David, I thought I would do a record that was a combination of that one and one that I was already hearing in my head to follow up. The second one, Trans , was inspired by my son Ben and his communication challenges. Because of Ben's quadriplegia, he couldn't talk or communicate in a way that most people could understand, so I made a record where I sang through a machine and most people couldn't understand what I was saying, either. I felt like it was art, an expression of something deeply personal. I called it Trans, meaning trying to get across from one world to another, being locked in a body without an intelligible voice, trying to communicate through the use of machines, computers, switches and other devices. It was a very deep and inaccessible concept ↗
The heart of a man is a small thing but it desires great matters. It is not big enough for a dog’s dinner but the whole world is not big enough for it. Man spares nothing that lives; he kills to feed himself, he kills to clothe himself, he kills to adorn himself, he kills to attack, he kills to defend himself, he kills to instruct himself, he kills to amuse himself, he kills for the sake of killing. From the lamb he tears its guts and makes his harp resound; from the wolf his most deadly tooth to polish his pretty works of art; from the elephant his tusks to make a toy for his child.(...)And who will exterminate him who exterminates all others? ↗
I do feel that literature should be demystified. What I object to is what is happening in our era: literature is only something you get at school as an assignment. No one reads for fun, or to be subversive or to get turned on to something. It's just like doing math at school. I mean, how often do we sit down and do trigonometry for fun, to relax. I've thought about this, the domination of the literary arts by theory over the past 25 years -- which I detest -- and it's as if you have to be a critic to mediate between the author and the reader and that's utter crap. Literature can be great in all ways, but it's just entertainment like rock'n'roll or a film. It is entertainment. If it doesn't capture you on that level, as entertainment, movement of plot, then it doesn't work. Nothing else will come out of it. The beauty of the language, the characterisation, the structure, all that's irrelevant if you're not getting the reader on that level -- moving a story. If that's friendly to readers, I cop to it. ↗
