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I needed out. The Jeep wasn’t fast enough. I shut it down, grabbed the keys and started running like a bear was at my heels. I couldn’t even see Henry anymore through my tears so it surprised me when he caught me in his arms halfway. The first thing I did was pound on his chest and ask him why he hadn’t called. The second thing I did was kiss him so hard he couldn’t answer me. ↗
#glass-girl #henry-whitmire #high-school #laura-anderson-kurk #long-distance-relationship
Elphaba’s face darkened again. Then she asked, hesitantly, as if afraid of the answer, “So, how do you get the evil life force?” “From innocent people, Elphaba,” Nick spoke so quietly he almost whispered. “I must draw the life force from innocent people. The more innocent they are, the more evil the murder is.” Elphaba jerked as though a shock had struck her in the heart. “Oh, that’s terrible!” “Yes, it is. Terrible. That word doesn’t even do it justice, terrible. There is no Magick more terrible than Magick that cheats death. I have cheated death, and death extracts its price.” Elphaba silently looked at Nick, her expression of revulsion enough to communicate her feelings. “You shouldn’t act so surprised, malyutka,” Nick said softly. “It is who I am. And it’s worked for me for centuries.” Elphaba sat for a moment, trying to calm herself. “Yes, you’re right. I knew that part of you was a monster. Sometimes it’s easy to forget, since you seem to be such a decent guy.” “Lyches are monsters. ↗
It really is something ... that men disapprove even of our doing things that are patently good. Wouldn't it be possible for us just to banish these men from our lives, and escape their carping and jeering once and for all? Couldn't we live without them? Couldn't we earn our living and manage our affairs without help from them? Come on, let's wake up, and claim back our freedom, and the honour and dignity that they have usurped from us for so long. Do you think that if we really put our minds to it, we would be lacking the courage to defend ourselves, the strength to fend for ourselves, or the talents to earn our own living? Let's take our courage into our hands and do it, and then we can leave it up to them to mend their ways as much as they can: we shan't really care what the outcome is, just as long as we are no longer subjugated to them. ↗
Children of her type contrive the purest philosophies. Ada had worked out her own little system. Hardly a week had elapsed since Van’s arrival when he was found worthy of being initiated in her web of wisdom. An individual’s life consisted of certain classified things: "real things" which were unfrequent and priceless, simply "things" which formed the routine stuff of life; and "ghost things," also called "fogs," such as fever, toothache, dreadful disappointments, and death. Three or more things occurring at the same time formed a "tower," or, if they came in immediate succession, they made a "bridge." "Real towers" and "real bridges" were the joys of life, and when the towers came in a series, one experienced supreme rapture; it almost never happened, though. In some circumstances, in a certain light, a neutral "thing" might look or even actually become "real" or else, conversely, it might coagulate into a fetid "fog." When the joy and the joyless happened to be intermixed, simultaneously or along the ramp of duration, one was confronted with "ruined towers" and "broken bridges. ↗
#fog #life #nabakov #perfect #real-things
For a while, Criticism travels side by side with the Work, then Criticism vanishes and it's the Readers who keep pace. The journey may be long or short. Then the Readers die one by one and the Work continues on alone, although a new Criticism and new Readers gradually fall into step with it along its path. Then Criticism dies again and the Readers die again and the Work passes over a trail of bones on its journey toward solitude. To come near the work, to sail in her wake, is a sign of certain death, but new Criticism and new Readers approach her tirelessly and relentlessly and are devoured by time and speed. Finally the Work journeys irremediably alone in the Great Vastness. And one day the Work dies, as all things must die and come to an end: the Sun and the Earth and the Solar System and the Galaxy and the farthest reaches of man's memory. Everything that begins as comedy ends in tragedy. ↗
#book-reviews #inaki-echevarne #literary-criticism #savage-detectives #the-written-word
It always amazes me to look at the little, wrinkled brown seeds and think of the rainbows in 'em," said Captain Jim. "When I ponder on them seeds I don't find it nowise hard to believe that we've got souls that'll live in other worlds. You couldn't hardly believe there was life in them tiny things, some no bigger than grains of dust, let alone colour and scent, if you hadn't seen the miracle, could you? ↗
I think there are two types of writers, the architects and the gardeners. The architects plan everything ahead of time, like an architect building a house. They know how many rooms are going to be in the house, what kind of roof they're going to have, where the wires are going to run, what kind of plumbing there's going to be. They have the whole thing designed and blueprinted out before they even nail the first board up. The gardeners dig a hole, drop in a seed and water it. They kind of know what seed it is, they know if planted a fantasy seed or mystery seed or whatever. But as the plant comes up and they water it, they don't know how many branches it's going to have, they find out as it grows. And I'm much more a gardener than an architect. ↗
