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Brod’s life was a slow realization that the world was not for her, and that for whatever reason, she would never be happy and honest at the same time. She felt as if she were brimming, always producing and hoarding more love inside her. But there was no release. Table, ivory elephant charm, rainbow, onion, hairdo, mollusk, Shabbos, violence, cuticle, melodrama, ditch, honey, doily… None of it moved her. She addressed her world honestly, searching for something deserving of the volumes of love she knew she had within her, but to each she would have to say, I don’t love you. Bark-brown fence post: I don’t love you. Poem too long: I don’t love you. Physics, the idea of you, the laws of you: I don’t love you. Nothing felt like anything more than what it actually was. Everything was just a thing, mired completely in its thingness. ↗
Going out in Paris was like going out in the '30s dressed like the Andrews Sisters. It was everything I'd seen in books at my grandparents' house, only it was our generation. ↗
I try to use all of my senses when describing a setting, and try to think of everything that would impact a character in any given scene. ↗
#character #describing #everything #given #i
If there are going to be people out there making war on other people, don't you think it's a good idea for some of those people to at least follow a code of ethics? Not 'honor' but something you can pin down and be sure of, something with the same rules for everybody. ↗
