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Read through the most famous quotes by topic #evie
To me [Edgar Allen Poe's] prose is unreadable—like Jane Austin's [sic]. No there is a difference. I could read his prose on salary, but not Jane's. Jane is entirely impossible. It seems a great pity that they allowed her to die a natural death. ↗
For a while, Criticism travels side by side with the Work, then Criticism vanishes and it's the Readers who keep pace. The journey may be long or short. Then the Readers die one by one and the Work continues on alone, although a new Criticism and new Readers gradually fall into step with it along its path. Then Criticism dies again and the Readers die again and the Work passes over a trail of bones on its journey toward solitude. To come near the work, to sail in her wake, is a sign of certain death, but new Criticism and new Readers approach her tirelessly and relentlessly and are devoured by time and speed. Finally the Work journeys irremediably alone in the Great Vastness. And one day the Work dies, as all things must die and come to an end: the Sun and the Earth and the Solar System and the Galaxy and the farthest reaches of man's memory. Everything that begins as comedy ends in tragedy. ↗
#book-reviews #inaki-echevarne #literary-criticism #savage-detectives #the-written-word
Kate lost a mother," I said, "but I lost a nothing." Kate doesn't feel that way," Jack assured me. But what about everybody else besides Kate? How can I ever explain to anyone what she was when she and I had no name? People need names for everything. I wasn't a relative or a friend, I was just an object of her kindness." He wiped my cheeks, saying Ssshh. I buried my face in his shoulder. True kindness is stabilizing," I went on. "When you feel it and when you express it, it becomes the whole meaning of things. Like all there is to achieve. It's life, demystified. A place out of self, a network of simple pleasures, not a waltz, but like whirls within a waltz." You're the one now," Jack said definitively. "That's why you met her. She had something she had to pass on." (p. 95) ↗
He writes the worst English that I have ever encountered. It reminds me of a string of wet sponges; it reminds me of tattered washing on the line; it reminds me of stale bean soup, of college yells, of dogs barking idiotically through endless nights. It is so bad that a sort of grandeur creeps into it. It drags itself out of the dark abysm of pish, and crawls insanely up the topmost pinnacle of posh. It is rumble and bumble. It is flap and doodle. It is balder and dash. (writing about US President Warren G. Harding) ↗
The last time that I consciously wrote anything to 'save the honor of the Left', as I rather pompously put it, was my little book on the crookedness and cowardice and corruption (to put it no higher) of Clinton. I used leftist categories to measure him, in other words, and to show how idiotic was the belief that he was a liberal's champion. Again, more leftists than you might think were on my side or in my corner, and the book was published by Verso, which is the publishing arm of the New Left Review. However, if a near-majority of leftists and liberals choose to think that Clinton was the target of a witch-hunt and the victim of 'sexual McCarthyism', an Arkansan Alger Hiss in other words, you become weary of debating on their terms and leave them to make the best of it. ↗
On 'don't ask, don't tell' I was always the same. I said we needed a complete review of the impact on morale and battle effectiveness of 'don't ask, don't tell' before we repeal it. That's my position now. Now they're trying to ram through a repeal without a - any kind of really realistic survey done. ↗
