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Read through the most famous quotes by topic #fallacy
When examining evidence relevant to a given belief, people are inclined to see what they expect to see, and conclude what they expect to conclude. Information that is consistent with our pre-existing beliefs is often accepted at face value, whereas evidence that contradicts them is critically scrutinized and discounted. Our beliefs may thus be less responsive than they should to the implications of new information ↗
I had become too accustomed to the pseudo-Left new style, whereby if your opponent thought he had identified your lowest possible motive, he was quite certain that he had isolated the only real one. This vulgar method, which is now the norm and the standard in much non-Left journalism as well, is designed to have the effect of making any noisy moron into a master analyst. ↗
For Paley, a watch is purposeful and thus must have been created by a being with a purpose. A watch needs a watchmaker, just as a world needs a world-maker—God. Yet both Wallace and Paley might have heeded the lesson from Voltaire's Candide (1759), in which Dr. Pangloss, a professor of "metaphysico-theology-cosmolonigology," through reason, logic, and analogy "proved" that this is the best of all possible worlds: '"Tis demonstrated that things cannot be otherwise; for, since everything is made for an end, everything is necessarily for the best end. Observe that noses were made to wear spectacles; and so we have spectacles. Legs were visibly instituted to be breeched, and we have breeches" (1985, p. 238). The absurdity of this argument was intended on the part of the author, for Voltaire firmly rejected the Panglossian paradigm that all is best in the best of all possible worlds. Nature is not perfectly designed, nor is this the best of all possible worlds. It is simply the world we have, quirky, contingent, and flawed as it may be. ↗
it seems that once again people engage in a search for evidence that is biased toward confirmation. Asked to assess the similarity of two entities, people pay more attention to the ways in which they are similar than to the ways in which they differ. Asked to assess dissimilarity, they become more concerned with differences than with similarities. In other words, when testing a hypothesis of similarity, people look for evidence of similarity rather than dissimilarity, and when testing a hypothesis of dissimilarity, they do the opposite. The relationship one perceives between two entities, then, can vary with the precise form of the question that is asked ↗
[...] a familiar art historical narrative [...] celebrates the triumph of the expressive individual over the collective, of innovation over tradition, and autonomy over interdependence. [...] In fact, a common trope within the modernist tradition of the nineteenth and early twentieth centuries involved the attempt to reconstruct or recover the lost ideal of an art that is integrated with, rather than alienated from, the social. By and large, however, the dominant model of avant-garde art during the modern period assumes that shared or collective values and systems of meaning are necessarily repressive and incapable of generating new insight or grounding creative praxis. ↗
