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#fiction

Read through the most famous quotes by topic #fiction




Brother Cavil: In all your travels, have you ever seen a star go supernova? ... I have. I saw a star explode and send out the building blocks of the Universe. Other stars, other planets and eventually other life. A supernova! Creation itself! I was there. I wanted to see it and be part of the moment. And you know how I perceived one of the most glorious events in the universe? With these ridiculous gelatinous orbs in my skull! With eyes designed to perceive only a tiny fraction of the EM spectrum. With ears designed only to hear vibrations in the air. ... I don't want to be human! I want to see gamma rays! I want to hear X-rays! And I want to - I want to smell dark matter! Do you see the absurdity of what I am? I can't even express these things properly because I have to - I have to conceptualize complex ideas in this stupid limiting spoken language! But I know I want to reach out with something other than these prehensile paws! And feel the wind of a supernova flowing over me! I'm a machine! And I can know much more! I can experience so much more. But I'm trapped in this absurd body! And why? Because my five creators thought that God wanted it that way! ↗


— Ronald D. Moore


#brother-cavil #cylons #science-fiction #space-opera #supernova

Something refused to come into focus in my thinking. Indistinctly, as though in a fog, shapes moved toward me and retreated just beyond cognition. But that getting a hold of things is the uncertainty. As the Tractatus says right at the beginning, “The world is everything that is the case.” It seemed as though the Mammy≈Divas® were just like Steve Jobs, trying to have reality bent to their own wills. Objectively, the iPhone was a muddle of mysticism and logic—breakable glass, non-ergonomic design, lousy battery life, lousy irreplaceable battery, lousy headphone jack, lousy virtual keyboard, lousy email, lousy memory, lousy lice, etc., etc, and an interface that you had to adapt to by pretending as an article of faith that no adaptation was required. The Mammy≈Divas® promised a seamless racial interface—eternal blackness ordered and majestic. They put a benign face on their lust for panoptic power. They promised to discipline and punish with pancakes. ↗


— Jon Woodson


#fiction #satire #design

I love all bars, not just gay bars,” Evan said. It was the first time he’d ever admitted this aloud to anyone. “I love bars where there are men drinking and looking for nothing but casual sex. I love that hungry look in their eyes and the way they smell and feel. I love the way they look at me. The first time I ever went into a bar I felt as if I’d gone home again. I’d never felt so comfortable in my life. All the stress and anxiety and problems in the world disappeared within those dark walls. And that was a straight bar. When I started going to gay bars and I realized the power I had over other men there, it felt as if I’d won the lottery and nothing was beyond my reach. Combine that feeling of elation with vodka and you get the most fantastic concoction the universe has ever known. But it’s gets tired after a while, and soon you begin to block out reality and nothing else matters but getting drunk and pleasing other men. It reaches the point where you can’t stop thinking about your next drink. And I just can’t do it anymore. I want to know what it’s like to walk past a bar and not feel as if I’m going to shatter into a million little pieces. I’m turning thirty years old soon and I know deep down that if I don’t get it right this time I might not get another chance. ↗


— Ryan Field


#gay-erotic-romance #m-m-romance #the-wall-street-shakr #home

Inside a wool jacket the man had made a pocket for the treasure and from time to time he would jiggle the pocket, just to make sure that it was still there. And when on the train he rode to work he would jiggle it there also, but he would disguise his jiggling of the treasure on the train by devising a distraction. For example, the man would pretend to be profoundly interested in something outside the train, such as the little girl who seemed to be jumping high up on a trampoline, just high enough so that she could spy the man on the train, and in this way he really did become quite interested in what occurred outside the train, although he would still jiggle the treasure, if only out of habit. Also on the train he'd do a crossword puzzle and check his watch by rolling up his sleeve; when he did so he almost fell asleep. Antoine often felt his life to be more tedious with this treasure, because in order not to be overly noticed he had deemed it wise to fall into as much a routine as possible and do everything as casually as possible, and so, as a consequence, despite the fact that he hated his wife and daughter, he didn't leave them, he came home to them every night and he ate the creamed chicken that his wife would prepare for him, he would accept the large, fleshy hand that would push him around while he sat around in his house in an attempt to read or watch the weather, he took out the trash, he got up on time every morning and took a quick, cold shower, he shaved, he accepted the cold eggs and orange juice and coffee, he picked the newspaper off the patio and took it inside with him to read her the top headlines, and of course he went to the job. ↗


— Justin Dobbs


#humor #mythology #mythology-fiction #short-story #short-story-collection

Let your dissent fuel you, your anger inspire you, your rage convey you, and your fury strike a chilling fear onto the spines of your enemies. ↗


— Evan Meekins


#dissent #fantasy #fantasy-fiction #fiction #fury

I held a brief debate with myself as to whether I should change my ordinary attire for something smarter. At last I concluded it would be a waste of labour. "Doubtless," though I, "she is some stiff old maid ; for though the daughter of Madame Reuter, she may well number upwards of forty winters; besides, if it were otherwise, if she be both young and pretty, I am not handsome, and no dressing can make me so, therefore I'll go as I am." And off I started, cursorily glancing sideways as I passed the toilet-table, surmounted by a looking-glass: a thin irregular face I saw, with sunk, dark eyes under a large, square forehead, complexion destitute of bloom or attraction; something young, but not youthful, no object to win a lady's love, no butt for the shafts of Cupid. ↗


— Charlotte Brontë


#appearance #beauty #fiction #victorian #youth

Nonfiction is never going to die. ↗


— Tom Wolfe


#going #never #nonfiction

My entire career, in fiction or nonfiction, I have reported and written about people who are not like me. ↗


— Tom Wolfe


#career #entire #entire career #fiction #i

The art of fiction has not changed much since prehistoric times. The formula for telling a powerful story has remained the same: create a strong character, a person of great strengths, capable of deep emotions and decisive action. Give him a weakness. Set him in conflict with another powerful character -- or perhaps with nature. Let his exterior conflict be the mirror of the protagonist's own interior conflict, the clash of his desires, his own strength against his own weakness. And there you have a story. Whether it's Abraham offering his only son to God, or Paris bringing ruin to Troy over a woman, or Hamlet and Claudius playing their deadly game, Faust seeking the world's knowledge and power -- the stories that stand out in the minds of the reader are those whose characters are unforgettable. To show other worlds, to describe possible future societies and the problems lurking ahead, is not enough. The writer of science fiction must show how these worlds and these futures affect human beings. And something much more important: he must show how human beings can and do literally create these future worlds. For our future is largely in our own hands. It doesn't come blindly rolling out of the heavens; it is the joint product of the actions of billions of human beings. This is a point that's easily forgotten in the rush of headlines and the hectic badgering of everyday life. But it's a point that science fiction makes constantly: the future belongs to us -- whatever it is. We make it, our actions shape tomorrow. We have the brains and guts to build paradise (or at least try). Tragedy is when we fail, and the greatest crime of all is when we fail even to try. Thus science fiction stands as a bridge between science and art, between the engineers of technology and the poets of humanity. ↗


— Ben Bova


#role-of-the-writer #science-fiction #art

I love you, Tess McGee. I don’t do big funny or heartfelt speeches in front of people at birthday parties, but I’m excellent in private alcoves in beer gardens.” He paused. “Okay, that sounded really bad, what I mean is …” I kissed him into silence. I pressed my forehead against his with a sigh. “I love you, too, Toby. In fact, that’s what I was going to tell you before we walked into the beer garden. Right before the really bad singing started.” Toby chuckled. He let out a sigh of relief. “Ready to reminisce?” I whispered my final word before he closed the distance. “Always. ↗


— C.J. Duggan


#romance #summer #young-adult-fiction #funny






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