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My instinct was that it was Sidney's childhood in the Bahamas that gave him the fearlessness to fight racism. So this documentary was a kind of rounding out of what had begun in that scene in In the Heat of the Night. ↗
The situation right after the fight wasn't too good; I believe I'm still the only champion in the world who never received the belt inside the ring once you've won the title. I held that against the English fans for a long time but I felt that also motivated me. ↗
It was easy to present figures demonstrating the contrast between lead work in the United States under conditions of neglect and ignorance, and comparable work in England and Germany, under intelligent control. ↗
I think you have to control the materials to an extent, but it's important to let the materials have a kind of power for themselves; like the natural power of gravity, if you are painting on a wall, it makes the paint trickle and it drips; there is no reason to fight that. ↗
