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Read through the most famous quotes by topic #ge
You can take charge, kick ass, do whatever you have to do and it's okay. You can blow people up. These are things that are okay for cartoon characters to do. ↗
I submit, on the other hand, most respectfully, that the Constitution not merely does not affirm that principle, but, on the contrary, altogether excludes it. ↗
...is there any body of citizens in the country who actually welcome and enjoy a General Election?..YES. Those citizens are schoolchildren...attending national schools. It may be very cynical, but on the appointed day those Lyceums of lower learning are turned into polling stations, the homes of innocence temporarily become part of the grim apparatus of politics and the scheming of sundry chancers. ↗
#home
We live, all of us, in sprung rhythm. Even in cities, folk stir without knowing it to the surge in the blood that is the surge and urgency of season. In being born, we have taken seisin of the natural world, and as ever, it is the land which owns us, not we, the land. Even in the countryside, we dwell suspended between the rhythms of earth and season, weather and sky, and those imposed by metropolitan clocks, at home and abroad. When does the year begin? No; ask rather, When does it not? For us – all of us – as much as for Mr Eliot, midwinter spring is its own season; for all of us, if we but see it, our world is as full of time-coulisses as was Thomas Mann’s. Countrymen know this, with the instinct they share with their beasts. Writers want to know it also, and to articulate what the countryman knows and cannot, perhaps, express to those who sense but do not know, immured in sad conurbations, rootless amidst Betjeman’s frightful vision of soot and stone, worker’s flats and communal canteens, where it is the boast of pride that a man doesn’t let the grass grow under his feet. As both countryman and writer, I have a curious relationship to time. ↗
#country-life #countryside #sir-john-betjeman #time #village-life
It reminds him of a tale the elder monks told him once, when he was a youngster: the Last Ride of the Tiger Tickler. There was, according to fiction, a man who came upon an untended tiger cub. He took it home and raised it, and, when it was fully grown, he took to riding into town on its back. He steered the beast with a silk handkerchief: he’d lean forward and flick the tiger’s left or right ear to make it turn, or brush its nose to make it start or stop. Of course, the tiger, brought up on milk and honey lapped from a bowl held in the kind man’s hands, didn’t know any better, so he went along with it. Disregarding the tiresome details of the tale, when the Tiger Tickler mistakenly rides into town on a different tiger, who despite similar build and markings has a radically different opinion as to the rightful place of mankind (namely in, not on), everybody gets eaten up. ↗
#home
About their wedding on a beach of Nantucket, after nearly 50 years together as a couple: "After years of being who we truly were only in the privacy of our homes or with a few friends, we were out in the world, under the sky, no longer pretending.” - Norman Sunshine, co-author, Double Life ↗
#double-life #gay-marriage #love-story #norman-sunshine #home
Her mother, an unshapely, chubby-cheeked creature from the rural gentry of Styria, permanently lost her hair at the age of forty after being treated for influenza by her husband, and prematurely withdrew from society. She and her husband were able to live in the Gentzgasse thanks to her mother's fortune, which derived from the family estates in Styria and then devolved upon [i]her.[/i] She provided for everything, since her husband earned nothing as a doctor. He was a socialite, what is known as a beau, who went to all the big Viennese balls during the carnival season and throughout his life was able to conceal his stupidity behind a pleasingly slim exterior. Throughout her life Auersberger's mother-in-law had a raw deal from her husband, but was content to accept her modest social station, not that of a member of the nobility, but one that was thoroughly petit bourgeois. Her son-in-law, as I suddenly recalled, sitting in the wing chair, made a point of hiding her wig from time to time--whenever the mood took him--both in the Gentzgasse and at the Maria Zaal in Styria, so that the poor woman was unable to leave the house. It used to amuse him, after he had hidden her wig, to drive his mother-in-law up the wall, as they say. Even when he was going on forty he used to hide her wigs--by that time she has provided herself with several--which was a symptom of his sickness and infantility. I often witnessed this game of hide-and-seek at Maria Zaal and in the Gentzgasse, and I honestly have to say that I was amused by it and did not feel in the least bit ashamed of myself. His mother-in-law would be forced to stay at home because her son-in-law had hidden her wigs, and this was especially likely to happen on public holidays. In the end he would throw the wig in her face. He needed his mother-in-law's humiliation, I reflected, sitting in the wing chair and observing him in the background of the music room, just as he needed the triumph that this diabolical behavior brought him. ↗
