It's just an unhealthy way to approach something, trying to outdo your last thing. You've gotta trust evolution, you've gotta trust that the bar is moving, that you don't need to force the bar. It'll just happen. ↗
I've got two old Volvos, two old Subarus, and an old Ford Ranger. If you've got an old car, you've gotta have at least several old cars, 'cause one's always gonna be in the garage. ↗
Now it's a fully realized production but for the fact that we're holding our scripts in our hand and some of us used them, and some of us didn't and you have to by union rules hold the script. You don't have to use them but you gotta hold them. ↗
When you're onstage and you know you're bombing, that's very, very scary. Because you know you gotta keep going - you're bombing, but you can't stop. And you know that half an hour from now, you're still gonna be bombing. It takes a thick skin. ↗
You can't do things for money. You just can't act them. There's gotta be something about the script that you really want to do. I wouldn't do a job if I didn't think I could do the best work I possibly could. ↗
If you bleed Black Label and you're going to be a man, you gotta get up there and do what you gotta do every day, relentless and as tired as you can be. ↗
So that's why one of my rules of parody writing is that it's gotta be funny regardless of whether you know the source material. It has to work on its own merit. ↗
