Now it's a fully realized production but for the fact that we're holding our scripts in our hand and some of us used them, and some of us didn't and you have to by union rules hold the script. You don't have to use them but you gotta hold them. ↗
When you're onstage and you know you're bombing, that's very, very scary. Because you know you gotta keep going - you're bombing, but you can't stop. And you know that half an hour from now, you're still gonna be bombing. It takes a thick skin. ↗
You can't do things for money. You just can't act them. There's gotta be something about the script that you really want to do. I wouldn't do a job if I didn't think I could do the best work I possibly could. ↗
If you bleed Black Label and you're going to be a man, you gotta get up there and do what you gotta do every day, relentless and as tired as you can be. ↗
So that's why one of my rules of parody writing is that it's gotta be funny regardless of whether you know the source material. It has to work on its own merit. ↗
I think all kids think their parents are strict. My parents aren't superstrict, but they seem to be stricter than most. But even though it's like, 'Oh, gosh, I've gotta be in at this time,' they know what they're doing. I have great parents. ↗
